Program TV: Duminica, 30.10.2022 | Muzică  | | |  | | | | | | | Acum la TV |
 | 07:00 | | 100% Party Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're 100% party tunes, we're playing them all! | |
| 07:00 | | La Tipica Melingo - Banlieues Bleues | Mezzo Live HD
LA TÍPICA MELINGO
Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022
The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires.
He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts , that he propels in the current events. "My role, as an artist, is to put in poetry and in music the forgotten of the society". He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s.
Melingo singing, clarinet
Orquesta Típica :
Romain Lecuyer double bass,
Juan Pablo Gallardo piano, musical direction,
Andrea Pujado violin,
Anne Le Pape violin,
Aurélie Gallois violin,
Line Kruse violin,
Marion Chiron bandoneon,
Carmela Delgado bandoneon,
Facundo Torres bandoneon
Directed by Gilles Le Mao | |
| 07:00 | | Non-Stop Hits | MTV Hits
We're bringing you nothing but the biggest tracks and chart anthems, the hits never stop! | |
| 07:00 | | MTV Rewind: 2010 | MTV Live HD
Step into the MTV Time Machine and travel back to 2010 to check out what tracks were stealing our hearts and ruling the charts! | |
| 07:09 | | Bachar Mar-Khalifé & Bojan Z - Jazz à la Villette | Mezzo
Bachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel Thiebaut | |
| 07:26 | | Rita Reys & The Pim Jacobs Trio at North Sea Jazz | Stingray Djazz
The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents “Europe's First Lady of Song”, popular Dutch jazz vocalist Rita Reys, accompanied by husband Pim Jacobs’s trio in a classic 1982 performance. | |
| 07:52 | | Magic Malik - Banlieues Bleues | Mezzo Live HD
MAGIC MALIK KAFROBEAT invites SANDRA NKAKÉ, GASTON BANDIMIC
Pantin, La Dynamo, April 20th, 2022
Magic Malik and his new crew have found their Africa-Oasis, made of melodies, rhythms and unheard-of songs.
The project and the record are called Kafrobeat, in reference to the Guadeloupean Ka and the Afrobeat of Fela. The flutist-composer and eternal experimenter brought together nine talented musicians to set up a musical writing process in line with an oral tradition, with a precise aesthetic goal: to go in search of this link to Africa, whether it is personal, cultural or musical. The experience proved to be fascinating, creating a totally new music and a group with a formidable rhythmic and melodic coherence. And if several first-rate voices are invited to the affair - Sandra Nkaké, the Senegalese rapper Gaston Bandimic - it is also the first time that Malik assumes himself as a singer, with his voice with magical flights.
Magic Malik voice, flute,
Olivier Laisney trumpet,
Maciek Lasserre saxophones,
Maïlys Maronne keyboards,
Oscar Emch guitar,
Mathilda Haynes guitar,
Jean-René Zapha bass,
Maxime Zampieri drums,
David Mirandon percussion,
Isabel Gonzalez voice,
Valerie Belinga voice,
Guests :
Sandra Nkaké voice,
Gaston Bandimic voice, rap,
Julien Reyboz sound system
Directed by Guillaume Dero | |
| 07:59 | | Brad Mehldau plays The Beatles | Mezzo
Brad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel Thibaut | |
| 08:00 | | 100% Party Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're 100% party tunes, we're playing them all! | |
| 08:00 | | Ceasuri de folclor (R) | Favorit
Ceasuri de folclor este singura emisiune de tip magazin folcloric care intampina pofta romanului de cantec si joc traditional, de obiceiuri si mestesuguri stravechi, de evenimente cultural traditionale, de reintalnirea cu artistii valorosi ai neamului romanesc, dar si cu tinerii si copiii talentati care doresc sa duca mai departe traditia peste veacuri!
In cadrul celor trei ceasuri de muzica buna regasiti intodeauna teme de sezon si nu numai, care, alaturi de rubricile emisiunii, constituie un minunat tablou folcloric romanesc! | |
| 08:00 | | MTV Top 20 | MTV Hits
Let's take a look at some of the biggest hits that are circulating the globe right now in this top 20 countdown! | |
| 08:00 | | MTV Rewind: 2010 | MTV Live HD
Step into the MTV Time Machine and travel back to 2011 to check out what tracks were stealing our hearts and ruling the charts! | |
| 08:00 | | Count Basie and his Orchestra live in Charleroi | Stingray Djazz
Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi. | |
| 08:40 | | Stream Nation - Ori and the Will of the Wisps | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 08:44 | | Naïssam Jalal - Banlieues Bleues | Mezzo Live HD
Naïssam Jalal Live at Banlieues Bleues 2017
Naïssam Jalal feat. Hamid Drake, Quest of invisible F.
Naïssam Jalal, compositions, flute, nay
Leonardo Montant, piano
Claude Tchamitchian, bass
Harmid Drake, battery, drums
The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz.
From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo.
In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance.
A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders.
He is now part of the adventure.
Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the "Banlieues Bleues" Festival
TV Director, Gilles Le Mao | |
| 08:55 | | Sarah Vaughan Live in '58 & 64: The Divine One | Stingray Djazz
Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday. | |
| 09:10 | | Non-Stop Hits | MTV Hits
We're bringing you nothing but the biggest tracks and chart anthems, the hits never stop! | |
| 09:27 | | Beethoven - Piano Sonata No. 5, Op. 10, No. 1 | Stingray Classica
Italian pianist Riccardo Schwartz was born in Milan in 1986, and completed his studies at Conservatorio of Milan as a student of acclaimed musicians such as Riccardo Risaliti, Leonardo Leonardi, and Annibale Rebaudengo. He graduated with Honorable Mention and continued his piano studies at the Accademia Pianistica of Imola. Throughout his career, he has had the privilege of performing as a soloist under the baton of outstanding conductors, among the likes of Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls. One of his best-known successes is the acclaimed concert cycle of Beethoven's 32 Sonatas. This performance features Piano Sonata No. 14 in C minor "Quasi una fantasia", Op. 27, No. 2, famously known as his "Moonlight Sonata". The name originates from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab compared the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name "Moonlight Sonata" ("Mondscheinsonate" in German) had been established throughout English and German publications. Later in the nineteenth century, the sonata was finally known by that name everywhere. This recital was recorded in March 2019 at the Fazioli Concert Hall in Sacile. | |
| 10:00 | | Les Dissonances, David Grimal : Prokofiev, Shostakovich | Mezzo
Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953)
Concerto for violin n°1
Concerto for violin n° 2
Dimitri Chostakovitch (1906-1975)
Symphony n°9
Les Dissonances
David Grimal (violin, artistic direction)
Paris Philharmonie, in january the 24, 2022 | |
| 10:03 | | DJAZZ Portrait: Anne Paceo | Stingray Djazz
These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience. | |
| 10:12 | | Paradox Live: Philippe Lemm Trio | Stingray Djazz
Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the talented Dutch drummer Philippe Lemm with his trio. | |
| 10:30 | | Music News | Kanal D2
Music News prezintă cele mai noi videoclipuri, informații din industria muzicală, lansări de albume, interviuri și detalii privind concertele din țară și evenimentele internaționale. | |
| 10:30 | | Il Trovatore by Giuseppe Verdi at the Gran Teatre del Liceu | Mezzo Live HD
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier | |
| 10:40 | | Stream Nation - Guacamelee! 2 | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 10:45 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo ies pe străziîn ""Cluburile maşinilor"" şi află cine vrea să fie mareîn ""Uriaşi prefăcuţi"". | |
| 11:00 | | We Love The 00s! | MTV 00s
It's time for nothing but the best. Join us for the most epic and classic 00s anthems that made this decade an unforgettable one! Has your favourite made the cut? | |
| 11:00 | | Girl Power Hour! | MTV 90s
Zig-A-Zig-ah! It's all about girl power! Tune in for all the biggest girl power hits from the 90s. | |
| 11:00 | | Global Beats! | MTV Live HD
Tune in for a selection of the biggest Hip-Hop, RnB and Reggaeton beats that are taking over the world! | |
| 11:00 | | Live at The Sydney Entertainment Centre | Stingray Djazz
When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time. | |
| 11:00 | | TROPICAL HIT 30 | Trace Caribbean
Counting down the 30 best tropical hitsof the week. The show that plays nothing but the greatest, sun-drenched videos of the week! | |
| 11:00 | | #dyk? | Trace Urban HD
DID YOU KNOW? In #DYK?, TRACE Urban brings you all the latest news about your favorite artists - gossips, behind the scenes, music updates - while you are watching his / her new music video. | |
| 11:04 | | Linkin Park - Linkin Park - Road to Revolution | Stingray iConcerts HD
Recorded live at the Milton Keynes stadium in England, Road to Revolution brings the 2 Grammy winning rock band Linkin Park in an explosive performance to over 55,000 fans, the biggest audience in the 6-year Revolution Project tour. To the audience's delight, the set list includes mega-hits like "Crawling", "In The End", "One Step Closer" and "What I've Done". | |
| 11:05 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo patineazăpe ""Patinele eşecului"", îşi arată talentul în ""Lumea e dojo-ul meu""şi se asigură că nu se pune nimeni cu ""Muşchi"". | |
| 11:30 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo îl primesc pe rapperulDDG ca să afle cine e gata ""Să moară pentru respect"", ca să iapulsul ţinutului central în ""Cursul din centru"" şi ca să cunoascăliceeni care sigur ""Nu sunt premianţi"". | |
| 11:50 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo iau o pauză după pauzeîn ""Pauză îngheţată"", au parte de funduri săltăreţe în ""Fundde cauciuc"" şi îşi fortifică ieftin casele în ""Securitate de buget"". | |
| 11:52 | | Brahms - Symphony No. 1, Op. 68 | Stingray Classica
The Berliner Philharmoniker, Daniel Barenboim and Claudio Abbado star at the Europakonzert 1994 in Meiningen, Germany, performing Ludwig van Beethoven’s Piano Concerto No. 5 and Johannes Brahms’ Symphony No. 2. Popularly known as the Emperor Concerto and composed in Vienna between 1809 and 1811, Piano Concerto No. 5 is Beethoven’s last completed piano concerto and often performed by star pianists such as Daniel Barenboim. A few decades later in 1877, Brahms completed his Second Symphony, which is often compared to Beethoven’s Sixth Symphony given its cheerful and pastoral character. | |
| 12:00 | | Smells Like... The 90s! | MTV 90s
We rewind back to the decade that brought us grunge and girl power, hip hop and teen pop, eurodance and house... It smells like... the 90s! | |
| 12:00 | | The Rock Zone! | MTV Live HD
You are now entering the rock zone! Expect nothing but the biggest, loudest, hottest rock tunes to ever exist! | |
| 12:29 | | The Offspring - Rock AM | Stingray iConcerts HD
The Offspring is an American rock band from Garden Grove, California, formed in 1984. Originally formed under the name Manic Subsidal, the band's lineup consists of lead vocalist and rhythm guitarist Bryan "Dexter" Holland, bassist Todd Morse and lead guitarist Kevin "Noodles" Wasserman. | |
| 12:33 | | Brahms - Piano Concerto No. 1, Op. 15 | Stingray Classica
Europakonzert 2004 was held in Athens, Greece. This concert featured the Berliner Philharmoniker performing live at the ancient Herodes Atticus Theatre along with an interesting combination of conductor and soloist - Sir Simon Rattle wielding the baton as pianist Daniel Barenboim plays Johannes Brahms’ Piano Concerto No. 1. The Athens concert marked a double première: it was the first Europakonzert under the direction of the new chief conductor, as well as the first time Rattle and Barenboim appeared together. The Odeon of Herodes Atticus, an amphitheatre built in 161 AD in memory of Herodes Atticus’ wife, is situated on the slope of the Acropolis. With a seating capacity of at least 5,000 spectators, it was reputed to be the finest theatre in all of Greece. | |
| 12:34 | | Benny Goodman Septet - North Sea Jazz Part II | Stingray Djazz
The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, legendary swing band leader jazz clarinettist Benny Goodman performed two sets with his septet at the North Sea Jazz Festival in The Hague. True to form, with his concert the 'King of Swing' revisited the atmosphere of the swing era – the 1930s – when jazz enjoyed tremendous popularity. Goodman's septet includes Scott Hamilton (tenor saxophone), John Bunch (piano), Phil Flanigan (double bass), Mel Lewis (drums), Warren Vaché (trumpet), and Chris Flory (guitar). Here is the second of two sets recorded at the festival in 1982. | |
| 12:35 | | Esports Balkan League | Gametoon HD
Witness the history being written once again while the biggest teams in the eSports industry are competing against eachother playing Leauge of Legends in Esports Balkan League. | |
| 13:00 | | Reload! Club Classics | Club MTV
We're going big on dancefloor smashes from across our favourite decades - that's massive tunes from the 90s, 00s and 10s! | |
| 13:00 | | Top 40 R'n'b & Hip Hop Vs Dance... | MTV 00s
... Anthems! We're bringing you the ultimate battle to decide which does it best in this top 40 countdown! Will it be the biggest R'n'B and Hip-Hop hits or the hottest Dance anthems? | |
| 13:00 | | Weekend Hitlist | MTV Hits
The weekend starts right here! We've selected the hottest hits that will keep you in the party mood! | |
| 13:00 | | MTV Unplugged: Lady Gaga & Tony... | MTV Live HD
... Bennett. This highly-anticipated episode of MTV Unplugged features Lady Gaga and Tony Bennett performing a combination of stripped-back duets and solo songs from their album, Love For Sale. | |
| 13:00 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
| 13:39 | | BIRDtv: Hypnotic Brass Ensemble | Stingray Djazz
Rotterdam’s BIRD is a club, café, and restaurant with a live music program that's deeply rooted in jazz, soul, funk, hip-hop, and electronic. Its name BIRD refers to the nickname of legendary New York jazz saxophonist, bebop co-founder Charlie Parker. BIRD serves Neapolitan pizzas, fine wines, no-nonsense beers, and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programs: BIRD.tv, allowing you to experience the best BIRD concerts and interviews as from a first-row seat! This episode is dedicated to seven brothers from the south side of Chicago: The Hypnotic Brass Ensemble AKA Bad Boys of Jazz, Tha Bros, and Yo Favorite Band! The band freely adds generous doses of hip-hop, soul, and funk to the brass band tradition, creating an intoxicating and boisterous blend: perfect for another episode of BIRD.tv! | |
| 13:55 | | Marion Williams Sings Spirituals | Stingray Djazz
You can’t help but be carried away by the powerful voice Marion Williams, who, with backing from Tommy Brown (piano), Joe Washington (organ), Billy Tuliver (drums), and singers Barbara White and Ann Bolden, sings gospel songs and spirituals as if she has lived them a thousand times over. The repertoire includes such familiar tunes as “Peace in the Valley,” “We Shall Overcome,” and “Michael, Row the Boat Ashore.” | |
| 14:00 | | Big Weekend Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're big tunes, we're playing them all right now! | |
| 14:00 | | Les Arts Florissants, William Christie - Peralada Festival | Mezzo Live HD
Les Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane Lebard | |
| 14:03 | | Purcell - The Indian Queen | Stingray Classica
Peter Sellars created a fresh version of Purcell’s last masterpiece “The Indian Queen.” He rewrote the text to translate the story into a 21th century perspective. The original story by John Dryden was situated at the courts of Lima and Mexico before the Spanish invasion. There, an impossible love story between the Queen of the Aztecs and the general of the Yncas developed to provoke an imaginary conflict between Yncas and Aztecs. Sellars personal vision is more political; it intertwines music, dance, literature, theatre, and visual arts and describes the first contact between the Europeans and the Mayas of the New World, a personal and choral narration of the Conquista through the lives of two women who created a new culture. MusicAeterna, under the baton of Teodor Currentzis, performed this opera in 2013 at the Teatro Real in Spain. The solo parts are sung by Vince Yi, Julia Bullock, Markus Brutscher, Nadine Koutcher, Noah Stewart, Christophe Dumaux and Luthando Qave. | |
| 14:20 | | Catfish: Emisiunea TV | MTV Europe
Dylan s-a îndrăgostit de un frumos fotomodel care ascunde un secret. Având multe semnale de alarmă, Nev şi Max cred că e un caz simplu. Dar adevărul e mai ciudat decât ficţiunea. | |
| 15:00 | | The Power Of 90s Love! | MTV 90s
The power of love is strong here at MTV, which is why we've put all of the best love songs and power ballads the 1990s had to offer in one heartfelt playlist! | |
| 15:00 | | Catfish: Emisiunea TV | MTV Europe
Când Zak şi Garret s-au cunoscut online, Zak s-a îndrăgostit, dar apelurile video suspicioase şi dispariţiile stranii l-au făcut pe Zak să se întrebe de cine s-a îndrăgostit. Vor putea Nev şi Max să-l găsească pe Garret înainte să dispară definitiv? | |
| 15:04 | | DJAZZ Portrait: EU Jazz Competition | Stingray Djazz
These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience. | |
| 15:18 | | Paradox Live: Vein ft. Greg Osby | Stingray Djazz
Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the Swiss jazz band VEIN accompanied by saxophone player Greg Osby. | |
| 15:30 | | The Show | MTV Live HD
The Show, a weekly variety music show from Korea's SBS Prism Tower, showcasing some of the biggest names in K-Pop, where viewers vote for The Show Choice winner and results are announced weekly. | |
| 15:40 | | Catfish: Emisiunea TV | MTV Europe
Nev și Kamie află cu surprindere că Stephanie vorbește cu Danny de zece ani, dar nu au vorbit niciodată pe skype și nici la telefon. După un deceniu, Stephanie e pregătită pentru iubire... dar ar suporta ea adevărul? | |
| 15:48 | | DJAZZ Portrait: Sven Hammond Soul | Stingray Djazz
These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience. | |
| 15:59 | | The Story of Papa Wemba | Stingray Djazz
Nicknamed 'the father of Congolese rumba', Papa Wemba (1949-2016) became a legend despite himself. He was a member of well-known Congolese and African rumba groups such as ‘Zaïko Langa Langa’, and became one of Africa's most popular musicians in his day. The documentary film 'History of Papa Wemba' traces the story of this iconic, trailblazing and intergenerational music artist, who was a true heir to Elvis, Fela, and Tabu Ley. | |
| 16:15 | | Stream Nation - Apex | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 16:25 | | Catfish: Emisiunea TV | MTV Europe
Îndrăgostitul Will i-a trimis bani unei fete adorabile din Thailanda. Will se gândește să se mute la capătul lumii, așa că Nev și Kamie sunt rugați să ridice vălul de pe relația la distanță a lui Will. | |
| 17:00 | | Toulouse-Lautrec by Kader Belarbi | Mezzo
Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec
Kader Belarbi | Choreography, stage direction, libretto
Bruno Coulais | Music
Danièle Devynck | Artistic Advisor
Sylvie Olivé | Sets
Olivier Bériot | Costumes
Nicolas Olivier, Vincent Cussey | Lighting
Sergio Tomassi | Accordion
Raul Rodriguez Bey | Piano
Ballet du Capitole
Toulouse, Théâtre du Capitole, 23 October 2021 | |
| 17:00 | | Hits Don't Lie | MTV 00s
Hits don't lie! Get ready for the biggest and best worldwide smashes from past to present! | |
| 17:05 | | Catfish: Emisiunea TV | MTV Europe
Scooba s-a îndrăgostit de Renae pe o aplicație de socializare, dar ea a dispărut la scurt timp după ce el s-a căsătorit cu avatarul ei. După șase ani, Renae s-a întors. Pot Nev și Kamie s-o găsească pe iubita online a lui Scooba? | |
| 17:20 | | Fomin plays Schumann, Beethoven and Tchaikovsky | Stingray Classica
After a successful inaugural recital in 2016, pianist Misha Fomin returns to the stage in the intimate hall of the Concertgebouw Amsterdam on November 11, 2017. Celebrated by the local and international press for his natural virtuosity, the rich texture of his play and his great musical intelligence, Fomin interprets Fantasia, op. 17 by Schumann, Piano Sonata No. 30, op. 109 of Beethoven, as well as works by Tchaikovsky, including the plays "May", "June" and "October" from the Seasons, op. 37b, and a Liszt transcription of the "Polonaise", taken from the opera Eugene Onegin. | |
| 17:25 | | Jacques Kuba Séguin: Litania Projekt | Stingray Djazz
Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition. | |
| 17:55 | | Siesta Key | MTV Europe
Juliette ezită în privința relației cu Sam. Brandon jonglează între fiul său, carieră, Delainey și o nouă relație. Lexie e prinsă la mijloc între prietena sa cea mai bună, Juliette, și prietenul acesteia, Sam. | |
Seara | 18:00 | | Carmen - Antonio Gades Company - Teatro Real | Mezzo Live HD
Carmen
Companía Antonio Gades
Vanesa Vento (Carmen)
Ángel Gil (Don José)
Joaquín Mulero (Husband)
Jairo Rodríguez (Bullfighter)
Antonio Gades & Carlos Saura (Script, choreography & lighting)
Antonio Saura (Stage setting)
Stella Arauzo (Artistic director)
Music by Antonío Gades, Antonio Solera, Ricardo Freire Gonzales, Georges Bizet (Carmen), José Ortega Heredia and Federico García
Teatro Real, Madrid, 2011 | |
| 18:15 | | Stream Nation - Detroit Become Human | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 18:33 | | Earl Hines Quartet in Spa, 1977 | Stingray Djazz
Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham. | |
| 18:40 | | Siesta Key | MTV Europe
Prietenii lui Juliette nu sunt de acord ca ea să se împace cu Sam. Ea are de luat o decizie dificilă. Sam și Chloe au idei opuse referitor la ce e mai bine pentru Juliette. Chloe se gândește să facă următorul pas cu Chris. | |
| 18:51 | | Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 30 | Mezzo
Daniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.30 in E major, Op.109
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic Delesques | |
| 19:00 | | Global Beats! | MTV Live HD
Tune in for a selection of the biggest Hip-Hop, RnB and Reggaeton beats that are taking over the world! | |
| 19:00 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
| 19:14 | | Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 31 | Mezzo
Daniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.31 in A-flat major, Op.110
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic Delesques | |
| 19:21 | | Klischee - Moods | Stingray Djazz
Since its opening in 1992, jazz club Moods has developed into one of Zurich’s largest and most prominent cultural venues. At the same time, it has become one of Europe’s prominent jazz clubs which today enjoys a well-deserved worldwide reputation among musicians and critics. The venue books a large variety of genres, ranging from jazz and soul to electronic and international music. Klischee is one of Switzerland’s most in-demand live acts. Although it started out as a studio project, the band soon transformed into a stage favorite, incorporating a variety of genres - from funk and disco to house and blues - in its music. | |
| 19:25 | | Siesta Key | MTV Europe
Fetele o vizitează pe Madisson în LA. Un video cu Juliette și un băiat misterios circulă în grup. Sam se îndepărtează de Juliette și se aspropie de o figură cunoscută. Kelsey se zbate între relația ei și o posibilă schimbare de carieră. | |
| 19:36 | | Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 32 | Mezzo
Daniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.32 in C minor, Op.111
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic Delesques | |
| 19:39 | | Fuenteovejuna - Antonio Gades Company - Teatro Real | Mezzo Live HD
Fuenteovejuna
Faustino Núnez (music)
Companía Antonio Gades
Cristina Carnero (Laurencia)
Ángel Gil (Frondoso)
Joaquín Mulero (Comendador)
Alberto Ferrero (Mayor)
Antonio Gades (direction and choreography)
José Manuel, Caballero Bonald, Antonio Gades (script)
Pedro Moreno (costumes)
Stella Arauzo (artistic director)
Teatro Real, Madrid, 2011 | |
| 19:55 | | Stream Nation - The Last of Us 2 | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 19:59 | | Discovering Masterpieces – Symphonie Fantastique | Stingray Classica
Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Hector Berlioz’ ‘Symphonie Fantastique’. This ‘Fantastic Symphony’ is widely regarded as one of the most important and representative pieces of the early Romantic period. Leonard Bernstein once called it “the first musical expedition into psychedelia” because of its hallucinatory and dream-like nature. The German musicologist Wulf Konold describes the idea behind and the realization of this fascinating work. | |
| 20:00 | | The Rock Zone! | MTV Live HD
You are now entering the rock zone! Expect nothing but the biggest, loudest, hottest rock tunes to ever exist! | |
| 20:30 | | Ensemble K, Simone Menezes: Tchaikovsky, Debussy, Glass, Villa-Lobos, Brahms | Mezzo
Ensemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus Fingal | |
| 20:40 | | Mahavishnu Orchestra - Estival Jazz Lugano | Stingray Djazz
Estival Jazz Lugano is an annual open-air music festival that takes place over five days at the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. On July 1, 1986, guitarist John McLaughlin, saxophonist Bill Evans, drummer Danny Gottlieb, pianist Jim Beard, and bassist Jonas Hellborg continued the Mahavishnu Orchestra's sixteen-year legacy of impressive jazz fusion at the Estival Jazz Lugano. | |
| 21:00 | | Crazy In Love! | MTV 00s
Nothing makes you crazier than falling in love. Check out this collection of some of the best loved up tunes! | |
| 21:00 | | MTV Push Live 2020: Yungblud | MTV Live HD
Doncaster's finest export, Yungblud, shows just why he's been crowned winner of MTV Push Ones To Watch 2020 as he brings his usual stage presence and charisma to Village Underground in East London. | |
| 21:00 | | Kiss - Live in Nürburgring | Stingray iConcerts HD
Kiss is one of the legendary groups in Hard Rock history. They have millions of fans around the world and over 100 million records sold. KISS confirms why they have been the best on the scene for nearly four decades, in a performance that made history, impressing an audience of more than 85,000 people, in a show of more than 2 hours and packed with hits, held at the Nurburgring, Germany in 2010. | |
| 21:20 | | Willow: I Want My MTV | MTV Live HD
Willow comes in to MTV HQ to talk about the music videos that have made her into the successful artist she is today! What was the first video she ever saw on MTV and who's her biggest inspiration? | |
| 21:30 | | Wiener Philharmoniker, Cecilia Bartoli, Daniel Barenboim - Mozart | Mezzo
Wiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano)
Cecilia Bartoli (mezzo-soprano)
'Ch'io mi scordi di te?' - 'Non temer, amato bene'
Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505
Don Giovanni, K. 527: 'Vedrai, carino'
Piano Concerto No. 24 in C minor, K. 491
Symphony No. 38 in D major, K. 504 "Prague Symphony"
Recorded at the Mozarteum, Salzburg, 23 January 2021
Directed by Elisabeth Malzer | |
| 21:55 | | Stream Nation - Red Dead Redemption II | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 22:00 | | Juditha Triumphans by Vivaldi at the Greek National Opera | Mezzo Live HD
Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. | |
| 22:00 | | Non-Stop Nostalgia | MTV 00s
Start reminiscing about the good old days with this non-interrupted playlist filled with all of your favourite hits from back in the day! | |
| 22:00 | | Top 50 90s Rocks! | MTV 90s
Put on your denim/leather/parka jacket and grab your grunge/thrash/indie air guitar! We are rocking out to 50 of the most awesome anthems from the 1990s! | |
| 22:48 | | Martha Argerich, Daniel Barenboim - Mozartwoche | Mezzo
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 | |
Noaptea | 23:00 | | ... So 80s! | MTV 80s
Get ready because we're bringing you nothing but classic hits and iconic anthems from the 80s! | |
| 23:00 | | Erroll Garner - Live in Singer Concertzaal, Laren | Stingray Djazz
On June 18, 1962, American pianist and composer Erroll Garner performed at the Singer Concertzaal in Laren. The vibrant and joyous concert was played with drummer Kelly Martin and bassist Eddie Calhoun, each long-standing collaborators from Garner's trio. The Singer Concertzaal in Laren, the Netherlands is a concert hall and museum dedicated to the preservation of the art collection of American William Henry Singer. It features a variety of artists, both visual and aural. | |
| 23:00 | | VOYANCE | Trace Caribbean
Find here all the broadcast,which make the success of TV Astrocenter. At the same time playful and didactic, these programs assure you to spend a good moment. | |
| 23:05 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo simt milă faţă de cei care nu îşi pot ascunde durerea, descoperă că uneori ar trebui să elimini inelul şi să nu mai fii atât de supus. | |
| 23:25 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo sunt încântaţi de nişte stilişti, încearcă tehnici noi de flirt şi experimentează lucruri noi. | |
| 23:33 | | Hugh Coltman - Jazz à Ramatuelle | Stingray Djazz
Hugh Coltman started at blues-rock band The Hoax, after which he moved to Paris, where he released two albums in the folk and pop genres. Soon he got drawn into the jazz scene and recorded a tribute to Nat King Cole. For his album “Who’s Happy?” he travelled to New Orleans. Since then, “Who’s Happy?” is no longer a big question in life, but also a big question in music. At Jazz à Ramatuelle, we witness why this amazing singer was elected “La voix de l'année’ at Les Victoires du Jazz 2017. With his songs, he displays his warm voice full of emotions and melancholy. He’s supported by Frédéric Couderc (clarinet and bariton), Jérôme Etcheberry (trumpet), Jerry Edwards (trombone), Didier Havet (sousaphone), Freddy Koella (guitar), Gael Rakotondrabe (piano), and Raphael Chassin (drums). | |
| 23:50 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo vorbesc despre cele mai rele animale din vecini, monştrii gunoaielor, despre lucruri fără sens şi, când adulţii vizitează locul de joacă, poate fi periculos de amuzant. | |
| 00:00 | | MTV Rewind: 2010 | MTV Live HD
Step into the MTV Time Machine and travel back to 2011 to check out what tracks were stealing our hearts and ruling the charts! | |
| 00:00 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
| 00:10 | | Stream Nation - The Resident Evil 2 | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 00:12 | | Bernard Haitink, Berliner Philharmoniker: Mahler's Symphony No.3 | Mezzo
Berliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor)
Tölzer Knabenchor, Ernst Senff Chor
Florence Quivar (alto)
Gustav Mahler (1860 – 1911)
Symphonie n° 3 en ré mineur
Berlin, Philharmonie, 1992
Directed by Barrie Gavin | |
| 00:15 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo iau nişte decizii îngrozitoare, simt presiunea momentului şi li se pare oarecum inadecvat. | |
| 00:40 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo află ce greu e pentru un puşti, descoperă ce nu trebuie să faci şi văd cele mai ciudate animale vii. | |
| 01:00 | | Reload! Club Classics | Club MTV
We're going big on dancefloor smashes from across our favourite decades - that's massive tunes from the 90s, 00s and 10s! | |
| 01:00 | | Non-Stop Hits | MTV Hits
We're bringing you nothing but the biggest tracks and chart anthems, the hits never stop! | |
| 01:00 | | Wagner - Das Rheingold | Stingray Classica
Das Rheingold is the prologue to Richard Wagner's Ring Cycle. This rendition (2003) features the Staatsoper Stuttgart under the baton of conductor Lothar Zagrosek. Tonight’s soloists are Wolfgang Probst, Motti Kastón, Bernhard Schneider, Robert Künzli, Esa Ruuttunen, Eberhard Francesco Lorenz and Roland Bracht. With beautiful orchestration and an unerring sense of the dramatic, the first opera explains how the Rhinedaughters lost the Ring and how it fell into the hands of Alberich the Nibelung; Wotan, king of the gods; and Fafner the giant. Each time it changes hands, the Ring confers upon the bearer a curse and this pattern is set to continue until it is restored to its rightful owners, the daughters of the Rhine. | |
| 01:10 | | Jimmy Witherspoon Quartet & Rozaa Wortham 1985 | Stingray Djazz
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Jimmy Witherspoon and Rozaa Wortham, two incredible brilliant jazz musicians. Rozaa Wortham starts off the show with the Jimmy Witherspoon Quartet. Swinging and full of energy she performs ‘It Don’t Mean A Thing’. Jimmy Witherspoon, known for the song “Ain’t Nobody’s Business” ends the show with some astounding lean-back blues. | |
| 02:00 | | Bachar Mar-Khalifé & Bojan Z - Jazz à la Villette | Mezzo
Bachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel ThiebautBachar Mar-Khalifé (piano)
Bojan Z (piano)
Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021
TV director, Samuel Thiebaut | |
| 02:00 | | Ryan Porter & The West Coast Get Down - BIRD | Stingray Djazz
Los Angeles-born saxophonist Kamasi Washington and trombonist Ryan Porter co-founded West Coast Get Down – a musical collective fusing jazz and funk with hip-hop. It is partly because of this collective that jazz saw a resurgence in Los Angeles, subtly eclipsing the long-established jazz mecca of the world, New York City. The two musicians join forces and take the vibes of Los Angeles to jazz club BIRD in Rotterdam, the Netherlands. | |
| 02:10 | | Stream Nation - Vampyr | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 02:35 | | Ridiculozaurii | MTV Europe
În acest nou episod, James Davis, Hennessy, Reginae Carter şi Johnny Bananas se afundă în ciudăţeniile internetului cu 'Ce colecţionezi?', obţin '4 pentru şcoala de artă' şi pătrund în 'Tăieturi adânci'. | |
| 02:55 | | Ridiculozaurii | MTV Europe
În noul episod, James Davis, Hennessy, Reginae Carter şi Spencer Pratt pornesc în subteran cu 'Sub-oameni', îşi păstrează calmul cu 'Are cineva nevoie de o îmbrăţişare?' şi devin curioşi din punct de vedere medical cu 'Ce se întâmplă cu corpul meu?' | |
| 03:00 | | Big Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're big tunes, we're playing them all right now! | |
| 03:00 | | The Rock Zone! | MTV Live HD
You are now entering the rock zone! Expect nothing but the biggest, loudest, hottest rock tunes to ever exist! | |
| 03:33 | | Visions of Music: Blue Bossa | Stingray Djazz
Visions of Music - World Jazz invites the viewer on a journey to the roots of music, introducing the enormous impact that traditional music from around the world has had on contemporary jazz. This program features legendary musicians such as BB King, Dino Saluzzi, Tito Puente, Carlos Santana, Zawinul Joe, Manu Dibango, Abdullah Ibrahim, as well as new generation representatives such as Nicholas Payton, Cyro Baptista, and Don Byron. This episode of the Visions of Music series features Romero Lubambo and Cyro Baptista, two Brazilian jazz musicians who emigrated to the United States in the 1980s. The Lubambo guitar playing marries the style and rhythms of his native Brazil and his ease with the American tradition of jazz to compose a new distinctive sound. In the wake of the explosion in the popularity of world music, Baptista has been called to play in studio and on tour with some of the biggest names in popular music, such as David Byrne, Dr. John, Wynton Marsalis, and even Jay-Z. | |
| 03:35 | | A Mozart Celebration from Berlin | Stingray Classica
Performed in the grandeur of Berlin's foremost opera house, the Staatsoper Unter den Linden, the Mozart Celebration is dedicated to the life's work of Wolfgang Amadeus Mozart. This one-time-only gala concert features exuberant Mozart pieces, performed by some of the world’s leading singers and musicians. Conductor Julien Salemkour leads these beautiful performances played by the Staatskapelle Berlin. The star solists are Nicolaj Znaider (violin), Thomas Quasthoff (baritone) and Sylvia Schwartz (soprano). The program features Ouverture from la Clemenza di Tito, 'Violin Concerto No. 5', the song 'Chi sa, chi sa, qual sia', Piano Concerto No. 23, the aria 'Per questa bella mano', Papageno's Aria from the Magic Flute, the duet 'Papageno-Papagena' from The Magic Flute, and Symphony No. 40. | |
| 03:59 | | Tel Aviv Sessions: Gilad Abro | Stingray Djazz
The bustling streets of Tel Aviv resonate in the music of the new generation of Israeli jazz artists, who are making a big impression in the jazz scene. The DJAZZ series ‘Tel Aviv Sessions’ is the thermometer of jazz in Israel in the first decade of the 2000s.The concerts featured in this series were recorded at several Tel Aviv jazz clubs, featuring some of the very best and freshest jazz bands. The series offers an eye-witness account of the incredible inventiveness and diversity of the Israeli jazz scene. The prestigious jazz club Levontin 7 presents bass player Gilad Abro and his Trio. Along with pianist Nitai Hershkovits and drummer Amir Bresler, Abro plays phenomenal music with a strong sense of accuracy, power, and swing. | |
| 04:00 | | Non-Stop Nostalgia | MTV 00s
Start reminiscing about the good old days with this non-interrupted playlist filled with all of your favourite hits from back in the day! | |
| 04:00 | | ... So 80s! | MTV 80s
Get ready because we're bringing you nothing but classic hits and iconic anthems from the 80s! | |
| 04:00 | | MTV Unplugged: Lady Gaga & Tony... | MTV Live HD
... Bennett. This highly-anticipated episode of MTV Unplugged features Lady Gaga and Tony Bennett performing a combination of stripped-back duets and solo songs from their album, Love For Sale. | |
| 04:00 | | Lady Gaga - iTunes Festival - Live in London | Stingray iConcerts HD
Lady Gaga's performance at the iTunes Festival in London on September 1, 2013 marks the superstar's first full concert since the The Born This Way Ball. It is an eight song set containing the world premiere of seven tracks from her fourth album, ARTPOP: "Aura"; "MANiCURE"; "Artpop"; "Jewels N' Drugs" ft. T.I., Too $hort and Twista; "Sexxx Dreams", "Swine"; and "I Wanna Be With You", a song that transformed into "Dope" for ARTPOP. During the concert, captured stunningly in HD, Gaga says that she's "a bit like Dorothy right now." The stage is her Kansas, the crowd is her family, and their reunion is pure magic. Lady Gaga, her dancers, and her band traverse through visual and musical themes of love, sex, violence, beauty, danger, empowerment, hustle, lust, and above all ART. Throughout, Gaga lays her heart bare for the audience and the cameras with every note sung and every word spoken. | |
| 04:25 | | Brad Mehldau plays The Beatles | Mezzo
Brad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel ThibautBrad Mehldau joue The Beatles
Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert.
Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris
TV Director, Samuel Thibaut | |
| 04:30 | | Music News | Kanal D2
Music News prezintă cele mai noi videoclipuri, informații din industria muzicală, lansări de albume, interviuri și detalii privind concertele din țară și evenimentele internaționale. | |
| 04:58 | | Belgium Sessions: Cavaliere and Mohy Duo | Stingray Djazz
In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this performance by violinist Alexandre Cavaliere and pianist Pascal Mohy. This recording marks the first time that these talented, rising jazz stars share the same stage. They tackle material made famous by, among others, jazz legend Miles Davis. | |
| 05:00 | | 90s Mixtape! | MTV 90s
Get your walkman ready, we've hand-picked a mega selection of 90s pop, R&B and dance videos from the MTV archive. Mix it up, on MTV 90s! | |
| 05:00 | | #dyk? | Trace Urban HD
DID YOU KNOW? In #DYK?, TRACE Urban brings you all the latest news about your favorite artists - gossips, behind the scenes, music updates - while you are watching his / her new music video. | |
| 05:06 | | Discovering Masterpieces - Debussy - La Mer | Stingray Classica
Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Claude Debussy’s ‘La Mer’. This masterpiece of suggestion and subtlety richly depicts the ocean. As a specialist in French Impressionism, the British pianist and writer Paul Roberts - also known from the BBC television series “Play It Again” - introduces Debussy’s work with great passion. | |
| 05:15 | | Esports - DOTA 2 | Gametoon HD
Tune in for the true descendant of original Defense of the Ancients mod - Dota 2, the first eSports title to introduce milion dollar prize pools igniting competitive scene and bringing hordes of new players to the game. | |
| 06:00 | | Non-Stop Nostalgia | MTV 00s
Start reminiscing about the good old days with this non-interrupted playlist filled with all of your favourite hits from back in the day! | |
| 06:00 | | Albumul Naţional | National TV
Singura emisiune despre folclorul românesc autentic ce poate fi urmărită la o televiziune comercială este prezentată de doi interpreţi populari extrem de cunoscuţi - Cornelia şi Lupu Rednic. Programul are, în fiecare ediţie, invitaţi la fel de populari printre iubitorii de folclor precum prezentatorii, invitaţi care vin din toate zonele ţării pentru a aduce în faţa telespectatorilor obiceiurile, tradiţiile, cântul şi portul specifice regiunii lor.
Albumul Naţional este o pledoarie pentru cântecul şi arta populară autentice, aducând telespectatorul mai aproape de valorile neamului făcându-l totodată să descopere ori să redescopere tradiţiile, istoria şi cântul autentic din zona din care el însuşi provine. | |
| 06:04 | | Gary Peacock Trio ft. Marc Copland & Joey Baron | Stingray Djazz
Legendary double bass player Gary Peacock's resume reads like the history of jazz from the early 1960s to today: he performed with Albert Ayler, Sonny Rollins, Miles Davis, Bill Evans, Jimmy Giuffre, Paul Bley, Archie Shepp, Paul Motian. Moreover, he was Keith Jarrett's double bassist for 35 years. Now he takes to the road once again, with pianist Marc Copland and percussionist Joey Baron. The trio cultivates the finest music made in the moment. | |
| 06:14 | | Yaron Herman Solo - Jazz à la Villette | Mezzo
Yaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel ThibautYaron Herman Solo
Yaron Herman (piano)
Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette
TV Director, Samuel Thibaut | |
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