Program TV: Duminica, 30.10.2022 | Mezzo Live HD  | | |  | | | | | | | Acum la TV |
| Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
 | 07:00 | | La Tipica Melingo - Banlieues Bleues
LA TÍPICA MELINGO
Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022
The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires.
He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts , that he propels in the current events. "My role, as an artist, is to put in poetry and in music the forgotten of the society". He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s.
Melingo singing, clarinet
Orquesta Típica :
Romain Lecuyer double bass,
Juan Pablo Gallardo piano, musical direction,
Andrea Pujado violin,
Anne Le Pape violin,
Aurélie Gallois violin,
Line Kruse violin,
Marion Chiron bandoneon,
Carmela Delgado bandoneon,
Facundo Torres bandoneon
Directed by Gilles Le Mao | |
| 07:52 | | Magic Malik - Banlieues Bleues
MAGIC MALIK KAFROBEAT invites SANDRA NKAKÉ, GASTON BANDIMIC
Pantin, La Dynamo, April 20th, 2022
Magic Malik and his new crew have found their Africa-Oasis, made of melodies, rhythms and unheard-of songs.
The project and the record are called Kafrobeat, in reference to the Guadeloupean Ka and the Afrobeat of Fela. The flutist-composer and eternal experimenter brought together nine talented musicians to set up a musical writing process in line with an oral tradition, with a precise aesthetic goal: to go in search of this link to Africa, whether it is personal, cultural or musical. The experience proved to be fascinating, creating a totally new music and a group with a formidable rhythmic and melodic coherence. And if several first-rate voices are invited to the affair - Sandra Nkaké, the Senegalese rapper Gaston Bandimic - it is also the first time that Malik assumes himself as a singer, with his voice with magical flights.
Magic Malik voice, flute,
Olivier Laisney trumpet,
Maciek Lasserre saxophones,
Maïlys Maronne keyboards,
Oscar Emch guitar,
Mathilda Haynes guitar,
Jean-René Zapha bass,
Maxime Zampieri drums,
David Mirandon percussion,
Isabel Gonzalez voice,
Valerie Belinga voice,
Guests :
Sandra Nkaké voice,
Gaston Bandimic voice, rap,
Julien Reyboz sound system
Directed by Guillaume Dero | |
| 08:44 | | Naïssam Jalal - Banlieues Bleues
Naïssam Jalal Live at Banlieues Bleues 2017
Naïssam Jalal feat. Hamid Drake, Quest of invisible F.
Naïssam Jalal, compositions, flute, nay
Leonardo Montant, piano
Claude Tchamitchian, bass
Harmid Drake, battery, drums
The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz.
From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo.
In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance.
A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders.
He is now part of the adventure.
Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the "Banlieues Bleues" Festival
TV Director, Gilles Le Mao | |
| 22:00 | | Juditha Triumphans by Vivaldi at the Greek National Opera
Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. | |
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