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07.07.2024, 16:30
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07:09Bachar Mar-Khalifé & Bojan Z - Jazz à la Villette
Bachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel Thiebaut
 
07:59Brad Mehldau plays The Beatles
Brad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel Thibaut
 
08:50InterMezzo 
10:00Les Dissonances, David Grimal : Prokofiev, Shostakovich
Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022Sergueï Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022
 
11:24Chlorine Free feat. Soweto Kinch + NYA 
12:21InterMezzo 
13:30Un ballo in maschera by Verdi at the Liceu 
15:51Of Vineyards and Shoeboxes - In search of the perfect concert hall acoustics
Concert halls are extremely special spaces. Parameters such as reverberation time, transmission or absorption of sound must be put in phase as physically measurable quantities: the hall itself becomes an instrument on which the musicians play.
 
17:00Toulouse-Lautrec by Kader Belarbi
Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021Toulouse-Lautrec Kader Belarbi | Choreography, stage direction, libretto Bruno Coulais | Music Danièle Devynck | Artistic Advisor Sylvie Olivé | Sets Olivier Bériot | Costumes Nicolas Olivier, Vincent Cussey | Lighting Sergio Tomassi | Accordion Raul Rodriguez Bey | Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021
 
18:51Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 30
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
 
19:14Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 31
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
 
19:36Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 32
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
 
20:30Ensemble K, Simone Menezes: Tchaikovsky, Debussy, Glass, Villa-Lobos, Brahms
Ensemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus Fingal
 
21:30Wiener Philharmoniker, Cecilia Bartoli, Daniel Barenboim - Mozart
Wiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth MalzerWiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 "Prague Symphony" Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth Malzer
 
22:48Martha Argerich, Daniel Barenboim - Mozartwoche
Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
 
00:12Bernard Haitink, Berliner Philharmoniker: Mahler's Symphony No.3
Berliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie GavinBerliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 – 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie Gavin
 
02:00Bachar Mar-Khalifé & Bojan Z - Jazz à la Villette
Bachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel ThiebautBachar Mar-Khalifé (piano) Bojan Z (piano) Paris, Jazz à la Villette, Grand Halle de la Villette, 5 september 2021 TV director, Samuel 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02:50Erik Truffaz Quartet feat. Rokia Traoré - Jazz à la Villette 
04:25Brad Mehldau plays The Beatles
Brad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel ThibautBrad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel Thibaut
 
05:16Chlorine Free feat. Soweto Kinch + NYA 
06:14Yaron Herman Solo - Jazz à la Villette
Yaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel ThibautYaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut
 
06:56Paul Lay Trio - Deep Rivers 


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