Program TV: Miercuri, 09.11.2022 | Muzică  | | |  | | | | | | | Acum la TV |
 | 07:00 | | Il Trovatore by Giuseppe Verdi at the Gran Teatre del Liceu | Mezzo Live HD
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901)
Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez
First performance in Rome, Teatro Apollo, 12 January 1857
Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor)
Conxita Garcia (Chorus Master)
Joan Anton Rechi (Stage Director)
Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting)
George Petean (Conte di Luna)
Tamara Wilson (Leonora)
Marianne Cornetti (Azucena)
Piero Pretti (Manrico)
Marco Spotti (Ferrando)
Maria Miró (Ines)
Albert Casals (Ruiz)
Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona
Directed by Fabrice Castanier | |
| 07:00 | | Global Beats! | MTV Live HD
Tune in for a selection of the biggest Hip-Hop, RnB and Reggaeton beats that are taking over the world! | |
| 07:00 | | Mozart - Piano Quartet No. 1, K. 478 | Stingray Classica
Christian Zacharias (piano), Frank Peter Zimmermann (violin), Tabea Zimmerman (viola) and Tilmann Wick (Cello) perform Mozart’s Piano Quartet No. 2 (K. 493) at the Ludwigsburg Festival in 1988. Mozart received a commission for three quartets in 1785 from publisher Franz Anton Hoffmeister. Hoffmeister thought the first quartet (K. 478) was too difficult and the public would not like it. He released Mozart from the obligation of completing the three quartets. However, nine months later, Mozart composed this second quartet anyway. | |
| 07:05 | | Stream Nation - Fortnite | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 07:05 | | Chucho Valdes & The Afrocuban Allstar invite Buika - Jazz à Vienne | Mezzo
Chucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival
Chucho Valdés - piano
Reinaldo Melián Alvarez - trumpet
Carlos Manuel Miyares Hernandez - tenor sax
Lázaro Rivero Alarcón - bass
Dreiser Durruthy Bombalé - percussion, batá, vocals
Recorded at the Vienna Jazz Festival, 2013
TV director, Patrick Savey | |
| 07:37 | | The Morgenland Festival: Blossom | Stingray Djazz
Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. The Morgenland Chamber Orchestra has been an integral part of the Morgenland Festival since 2009. This ensemble of musicians from Germany and various guest countries performs as part of the festival's opening concert. This episode includes performances sometimes energetic, sometimes soft and soothing. | |
| 08:00 | | 100% Party Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're 100% party tunes, we're playing them all! | |
| 08:00 | | Non-Stop Hits | MTV Hits
We're bringing you nothing but the biggest tracks and chart anthems, the hits never stop! | |
| 09:00 | | John Lewis - Paris, France | Stingray Djazz
American jazz pianist and composer John Lewis is best-known for founding the Modern Jazz Quartet in 1952, an ensemble that played cool jazz fused with elements of classical music and blues. In the first part of this broadcast, Lewis is seen in rehearsal with a group of musicians, consisting of violinist Svend Asmussen, bassist Alby Cullaz, drummer Eric Dervieu, guitarist Christian Escoudé, double bassist Michel Gaudry, and drummer Daniel Humair. This is followed by a private master class from Lewis to two young jazz pianists, Franck Amsallem and Christophe Soulier. The broadcast ends with a performance of “Django” by Lewis himself, a composition he wrote in memory of Django Reinhardt, the guitar virtuoso who co-founded gypsy jazz. This program was recorded at the former Citroën factory at Quai de Javel in Paris, from August 20 to 22, 1979. | |
| 09:05 | | Esports - Hearthstone | Gametoon HD
Experience the incredible world of esports with ESL! The ESL Premiership is the competition for the very best players in the United Kingdom and Ireland. Backed by ESL's path to pro initiative and supporting grass routes scenes the @ESLPrem gives players opportunities to truly global events! | |
| 09:30 | | Mame adolescente: tânără şi însărcinată | MTV Europe
Kayla și Luke se întâlnesc cu familia lui pentru a face pace, dar lucrurile se încing când reapar vechile ranchiune. Încercările lui Rachel de a-și obține permisul sunt zădărnicite, iar Brianna încearcă să-și uite fostul, recurgând iar la întâlniri. | |
| 09:45 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
| 09:56 | | Les McCann: Live in New Orleans | Stingray Djazz
Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James. | |
| 10:00 | | Tristan und Isolde, by Richard Wagner at the Staatsoper Berlin | Mezzo
Tristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883)
Libretto by Richard Wagner
First performance in Munich, Hof- und Nationaltheater, 10 June 1865
Staatskapelle Berlin, Daniel Barenboim (Conductor)
Dmitri Tcherniakov (Stage Direction)
Andreas Schager (Tristan)
Stephen Milling (King Marke)
Anja Kampe (Isolde)
Boaz Daniel (Kurwenal)
Stephan Rügamer (Melot)
Ekaterina Gubanova (Brangäne)
Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin
TV Director, Andy Sommer | |
| 10:00 | | 2-4-1 Hits! | MTV 00s
Tune in for our Happy Hour Hits where you'll get two tracks from each of your favourite stars! So grab a drink, make a dancefloor in your lounge and enjoy our 2-4-1 special! | |
| 10:10 | | Mame adolescente: tânără şi însărcinată | MTV Europe
Rachel acceptă invitaţia Kiayei la aniversarea lui Amour, la fel şi Kayla J. Apar întrebări despre relaţia Kiayei cu X'zayveon. Luke are o confruntare cu familia. Madisen şi Christian se mută în apartamentul lor. | |
| 10:19 | | Girls Aloud - Girls Aloud: Tangled Up - Live From The O2 | Stingray iConcerts HD
Britain’s favourite girl band take to the stage for a spectacular live show from London’s O2 Arena in October 2008, with a setlist covering a mix of all the classic Girls Aloud hits from their critically-acclaimed 'Tangled Up' album, with stunning costume changes watch the girls deliver a truly fantastic show at the height of their powers. Includes 'Sexy! No No No', 'Sound Of The Underground', 'Can’t Speak French', 'Jump' and many many more! | |
| 10:28 | | Bach - The Well-Tempered Clavier No. 22 | Stingray Classica
In 1722, when Johann Sebastian Bach lived in Köthen, Germany, he published a book of preludes and fugues in all 24 major and minor keys. This collection became known as The Well-Tempered Clavier, Book One, BWV 846–869. About two decades later, Bach compiled a second book in Leipzig, which became known as The Well-Tempered Clavier, Book Two, BWV 870-893. Bach intended these pieces for the clavier, which includes the harpsichord, clavichord, and organ. Despite this unclarity, these pieces are regarded as some of the most important works in the history of Western classical music. In this broadcast, Joanna MacGregor plays Preludes and Fugues Nos. 13 to 24 (BWV 858-869) from Book One of Bach’s Well-Tempered Clavier, recorded at the Palau Güell in Barcelona, Spain, in 2010. | |
| 10:30 | | Les Arts Florissants, William Christie - Peralada Festival | Mezzo Live HD
Les Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor)
Jessica Niles (soprano), Shaked Bar (soprano)
Georg Frideric Haendel (1685 – 1759)
Trio Sonata in C minor HWV 386a
Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83
Festival de Peralada, 1st August 2021
Directed by Stéphane Lebard | |
| 10:50 | | Stream Nation - Spyro | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 10:50 | | Mame adolescente: tânără şi însărcinată | MTV Europe
Luke îi demonstrează Kaylei că e serios în privinţa viitorului lor. Rachel nu crede că Drew se va schimba după ce iese din închisoare. Madisen e devastată la aflarea unor veşti. Kiaya stabileşte un videocall, ca Amour să-şi vadă tatăl în închisoare. | |
| 10:55 | | Comblain-la-Tour Jazz Festival: Jimmy McGriff Trio | Stingray Djazz
As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival. | |
| 11:00 | | We Love The 00s! | MTV 00s
It's time for nothing but the best. Join us for the most epic and classic 00s anthems that made this decade an unforgettable one! Has your favourite made the cut? | |
| 11:00 | | Girl Power Hour! | MTV 90s
Zig-A-Zig-ah! It's all about girl power! Tune in for all the biggest girl power hits from the 90s. | |
| 11:00 | | Global Beats! | MTV Live HD
Tune in for a selection of the biggest Hip-Hop, RnB and Reggaeton beats that are taking over the world! | |
| 11:35 | | Mame adolescente: tânără şi însărcinată | MTV Europe
Kiaya obţine tutela pentru Amour. Rachel se teme că nu mai există nimic între ea şi Noah. Madisen e supărată pe tatăl ei fiindcă nu o susţine. Luke şi Kayla fac un mare pas, dar Kayla se teme că nu e bine pentru ei. | |
| 11:58 | | Pink Martini - Peralada | Mezzo Live HD
Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 Pink Martini, China Forbes (vocals), Storm Large (vocals)
Peralada Festival, July 23rd 2022 | |
| 12:00 | | Smells Like... The 90s! | MTV 90s
We rewind back to the decade that brought us grunge and girl power, hip hop and teen pop, eurodance and house... It smells like... the 90s! | |
| 12:00 | | MTV Top 20 | MTV Hits
Let's take a look at some of the biggest hits that are circulating the globe right now in this top 20 countdown! | |
| 12:00 | | The Rock Zone! | MTV Live HD
You are now entering the rock zone! Expect nothing but the biggest, loudest, hottest rock tunes to ever exist! | |
| 12:00 | | Trio Corrente - Da Pá Virada Sessions | Stingray Djazz
Da Pá Virada sessions bring the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Trio Corrente, which was formed in 2001, consisting of Fabio Torres on piano, Paulo Paulelli on bass, and Edu Ribeiro on drums. Since then, the trio has been creating an original sound playing the classics of choro and Música Popular Brasileira. | |
| 12:50 | | Stream Nation - Guacamelee! 2 | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 13:00 | | Reload! Club Classics | Club MTV
We're going big on dancefloor smashes from across our favourite decades - that's massive tunes from the 90s, 00s and 10s! | |
| 13:00 | | The Rolling Stones - Live at Glastonbury | Stingray iConcerts HD
More than a show, this is a historical document of the greatest rock band in activity of all time. The Rolling Stones band was formed in London in 1962, alongside the Beatles, and is considered the most significant of the so-called British Invasion in the 1960s. It has stood out in the musical and behavioral changes around the world and has sold more than 240 Millions of albums worldwide. The Rolling Stones played at the iconic Glastonbury Festival for the first time in the history of the band and the festival, where they headed the Pyramid Stage. The band played an incredible setlist, including a special version of 'Factory Girl', which was adapted to become 'Glastonbury Girl'. The band was joined in the songs "Can't You Hear Me Knocking", "Midnight Rambler" and "I Can't Get No Satisfaction" by former member Mick Taylor, who was a Rolling Stones from 1969 to 1974; In addition, one of the last records of the saxophonist and collaborator of the Stones, Boby Keys, died in 2014. | |
| 13:08 | | Live at The Sydney Entertainment Centre | Stingray Djazz
When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time. | |
| 13:45 | | Bastille: I Want My MTV | MTV Live HD
Bastille comes in to MTV HQ to talk about the music videos that have made them into the successful band they are today! What was the first video they saw on MTV and who's their biggest inspiration? | |
| 13:50 | | Catfish: Emisiunea TV | MTV Europe
După ce a avut ghinion cu fetele, Derek o cunoaște pe Kristen pe Facebook. Dragostea lor a crescut, iar Derek e pregătit să o întâlnească. Dar Kristin mereu are o scuză. Kristin e fata visurilor sau Derek are iar ghinion? | |
| 14:00 | | Big Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're big tunes, we're playing them all right now! | |
| 14:00 | | Juditha Triumphans by Vivaldi at the Greek National Opera | Mezzo Live HD
Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans
Oratorio by Antonio Vivadi (1678 – 1741)
Librettto by Iacopo Cassetti
Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor)
Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master)
Thanos Papakonstantinou (Stage Direction)
Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography)
Roxana Constantinescu (Juditha)
Kristina Hammarström (Holofernes)
Inga Kalna (Vagaus)
Theodora Baka (Abra)
Sophia Patsi (Ozias)
Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021
Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. | |
| 14:00 | | Alternative 80s! Top 50 | MTV 80s
The 1980s saw the rise of a huge new wave of rock music, including indie, goth, post-punk... We're here to celebrate them all with 50 of the best from the Alternative 80s! | |
| 14:05 | | James Arthur: I Want My MTV | MTV Live HD
James Arthur comes in to MTV HQ to talk about the music videos that have made him into the successful artist he is today! What was the first video he ever saw on MTV? Who's his biggest inspiration? | |
| 14:30 | | Catfish: Emisiunea TV | MTV Europe
Admiratoarea Keyonnah nu poate să creadă ce noroc are. E aproape sigură că are o relaţie online cu rapperul Bow Wow, pe care îl iubeşte încă din copilărie. Este această relaţie prea frumoasă ca să fie adevărată? | |
| 14:35 | | Stream Nation - Spiderman | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 14:40 | | Duets: Carla Bley and Steve Swallow in 1988 | Stingray Djazz
If any two musicians share a special bond when they perform, it’s pianist Carla Bley and bassist Steve Swallow. The two have performed in the same bands since the 1960s and have been romantic partners for more than two decades. Watching them perform is the definition of musical telepathy. A glance or a smile seems to change the feel of the music. In 1988, Swallow and Bley began performing duet concerts in Europe, United States, South America and Japan. This performance of Duets, their album of songs arranged for piano and bass, was released that same year. The performance showcases their approach to traditional jazz, folk and classical music, as well as their poignant musical story. | |
| 15:00 | | Quatuor Arod at the Fondation Singer Polignac: Mozart, Beethoven, Debussy | Mezzo
Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod
Wolfgang Amadeus Mozart (1756-1791)
String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465
Ludwig van Beethoven (1770-1827)
String Quartet no. 11 in F minor ‘Serioso’ opus 95
Claude Debussy (1862-1918)
String quartet in G minor opus 10
Paris, Singer-Polignac Foundation, 5 May 2022 | |
| 15:03 | | Prosseda performs Mozart, Schubert & Chopin | Stingray Classica
Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation. | |
| 15:10 | | Catfish: Emisiunea TV | MTV Europe
Craig a intalnit-o pe Zoe pe Facebook si a dezvoltat rapid o relatie profunda cu ea. Dar lucrurile au luat o intorsatura urata cand Zoe a inceput sa ii ceara parole si sa ii hackeze conturile. Craig e hotarat sa afle cui i-a dat inima. | |
| 15:10 | | Visions of Music: Amandla | Stingray Djazz
Visions of Music - World Jazz invites the viewer on a journey to the roots of music, introducing the enormous impact that traditional music from around the world has had on contemporary jazz. This program features legendary musicians such as BB King, Dino Saluzzi, Tito Puente, Carlos Santana, Zawinul Joe, Manu Dibango, Abdullah Ibrahim, as well as new generation representatives such as Nicholas Payton, Cyro Baptista, and Don Byron. This episode of the Visions of Music series is set in South Africa and explains the prominent role played by music in the fight against apartheid at home and abroad. The songs denouncing racial segregation helped raise awareness of the South African political situation, fostered the unity of the anti-apartheid movements, and presented an alternative view of culture in a possible democratic South Africa. | |
| 15:55 | | Ridiculozaurii | MTV Europe
Într-un episod nou, Rob, Chanel şi Steelo vorbesc despre cei 'Gata să renunţe', animale care 'Devin oameni' şi arta de 'A găsi distracţia' când te plictiseşti. | |
| 16:00 | | 2-4-1 Hits! | MTV 00s
Tune in for our Happy Hour Hits where you'll get two tracks from each of your favourite stars! So grab a drink, make a dancefloor in your lounge and enjoy our 2-4-1 special! | |
| 16:00 | | George Shearing: The South Bank Show | Stingray Djazz
George Shearing, blind since birth, is one of the world's greatest jazz pianists. Filmed on both sides of the Atlantic, this tribute to Shearing showcases the music which took the jazz world by storm. Specially-shot performances and archive clips feature music spanning the six decades of his remarkable career and classics such as ‘September in the Rain’, ‘Lullaby of Birdland’, ‘Greensleeves’, ‘Donna Lee’ and ‘Freedom Jazz Dance’ are included, as well as many other recent compositions. | |
| 16:04 | | Salome by Strauss at the Opéra national de Paris | Mezzo Live HD
Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome
‘Musikdrama’ in one act by Richard Strauss (1864 – 1949)
Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde
First performance in Dresden, Hofoper, 9 December 1905
Orchestre de l'Opéra national de Paris, Simone Young (Conductor)
Lydia Steier (Stage direction)
Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy)
Elza van den Heever (Salome)
Iain Paterson (Jochanaan)
John Daszak (Herodes)
Karita Mattila (Herodias)
Tansel Akzeybek (Narraboth)
Katharina Magiera (Page der Herodias)
Matthäus Schmidlechner (Erster Jude)
Éric Huchet (Zweiter Jude)
Maciej Kwaśnikowski (Dritter Jude)
Mathias Vidal (Vierter Jude)
Sava Vemić (Fünfter Jude)
Luke Stoker (Erster Nazarener)
Yiorgo Ioannou (Zweiter Nazarener)
Dominic Barberi (Erster Soldat)
Bastian Thomas Kohl (Zweiter Soldat)
Alejandro Baliñas Vieites (Cappadocier)
Thomas Ricart (Ein Sklave)
Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022 | |
| 16:04 | | Phil Collins - Live At Montreux, 2004 | Stingray iConcerts HD
Phil Collins has made a number of appearances at Montreux over the years. This set was filmed at the 2004 festival and captures Phil performing all of his best known hits from his solo career. This combination of all his classic songs coupled with the rarely seen big band material shows the breadth of musical genres Phil has covered in his career and makes a perfect celebration of Phil Collins' association with Montreux. Music video by Phil Collins __© 2004 Montreux Sounds (/RTS), under exclusive license to Eagle Rock Entertainment Ltd. | |
| 16:20 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo sunt încântaţi de nişte stilişti, încearcă tehnici noi de flirt şi experimentează lucruri noi. | |
| 16:36 | | Haydn - Symphony No. 45 'Farewell' | Stingray Classica
Under the direction of Conrad van Alphen, the Sinfonia Rotterdam Orchestra performs Haydn's Symphony No. 45 at the Nieuwe Kerk (New Church) in The Hague. This piece is nicknamed "Farewell" because of a funny anecdote. Haydn and his musicians stayed every year from May to October at the magnificent Esterháazy Palace, at the request of Prince Nicholas. In early November 1772, the prince announced his intention to remain at the palace for two more months. The musicians then told Kapellmeister Haydn their disagreement with this forced extension of their stay. The solution proposed by Haydn was to compose a piece delivering a clear message: at the end of the last movement of the Symphony, the musicians were called to blow the candles on their lectern and leave the room one after the other. Prince Nicholas understood the message; the next day a car was waiting for the musicians to take them home. | |
| 16:40 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo cunosc nişte parteneri uimitori, se pregătesc pentru lupta cu intemperiile şi cad victime băuturii. | |
| 16:51 | | Nik Bärtsch's Ronin Rhythm Clan - Moods | Stingray Djazz
Since its opening in 1992, jazz club Moods has developed into one of Zurich’s largest and most prominent cultural venues. At the same time, it has become one of Europe’s prominent jazz clubs which today enjoys a well-deserved worldwide reputation among musicians and critics. The venue books a large variety of genres, ranging from jazz and soul to electronic and international music. Nik Bärtsch and his Ronin Rhythm Clan evolved from the Moods jazz club back in 2002, where the pianist was the artist-in-residence. Today Baertsch is known for his own genre, 'Ritual Groove Music'. | |
| 17:00 | | Fata Morgana by Béatrice Massin, Compagnie Fêtes Galantes | Mezzo
Fata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane LebardFata Morgana
Choreogrphy by Béarice Massin
Compagnie Fêtes Galantes
Recorded on June 9 & 10, 2018 at the Château de Bouge
TV Director, Stéphane Lebard | |
| 17:00 | | Hits Don't Lie | MTV 00s
Hits don't lie! Get ready for the biggest and best worldwide smashes from past to present! | |
| 17:04 | | Hedda Gabler | Stingray Classica
After the world premiere of autumn 2017, Seeing Dance describes this ballet adaptation of "Hedda Gabler" of the Norwegian National Opera and Ballet as burning with "intensity". Hedda Gabler is one of world theatre’s best-known characters – an icon created by Norwegian playwright Henrik Ibsen. Here, this deeply psychological play is transformed into a ballet, created by director Marit Moum Aune and performed by The Norwegian National Ballet to music by Nils Petter Molvær. The star of this performance is Grete Sofie Borud Nybakken, portraying the main character Hedda. Recorded 2017 in Oslo, Norway. | |
| 17:05 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo sărbătoresc mafia, explică de ce nu poţi scrie mesaje în timp ce conduci şi caută înlocuitori pentru oameni care au dat greş din start. | |
| 17:30 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo simt ceva foarte cunoscut, văd tipi cu cozi împletite şi se pregătesc pentru dureri de spate. | |
| 17:45 | | Stream Nation - Ori and the Will of the Wisps | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 17:52 | | Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 29 | Mezzo
Daniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic DelesquesDaniel Barenboim (piano)
Ludwig van Beethoven (1770 - 1827)
Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier")
Recorded in Berlin, Boulez Saal, in 2020
Directed by Fréderic Delesques | |
| 17:55 | | Catfish: Emisiunea TV | MTV Europe
Nev și coprezentatoarea Kamie ajută o fată navajo să-l găsească pe bărbatul zuni pe care îl iubește. Acesta nu numai că a admis că e traficant de droguri, dar a și susținut că a murit, lăsându-i pe toți disperați să găsească răspunsuri. | |
Seara | 18:00 | | Ceasuri de folclor | Favorit
Ceasuri de folclor este singura emisiune de tip magazin folcloric care intampina pofta romanului de cantec si joc traditional, de obiceiuri si mestesuguri stravechi, de evenimente cultural traditionale, de reintalnirea cu artistii valorosi ai neamului romanesc, dar si cu tinerii si copiii talentati care doresc sa duca mai departe traditia peste veacuri!
In cadrul celor trei ceasuri de muzica buna regasiti intodeauna teme de sezon si nu numai, care, alaturi de rubricile emisiunii, constituie un minunat tablou folcloric romanesc! | |
| 18:20 | | The Orchestre Philharmonique Royal de Liège and Gergely Madaras: Gershwin | Mezzo Live HD
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Yeol Eum Son (piano)
George Gershwin (1898 - 1937)
Girl Crazy, overture
Variations for piano and orchestra on 'I Got Rhythm'
Rhapsody in Blue
Catfish Row, symphonic suite from 'Porgy and Bess'
An American in Paris
Recorded 8 January 2021 at the Salle Philharmonique, Liège | |
| 18:22 | | The Strokes - Live at Landmark Music Festival | Stingray iConcerts HD
And as with other hugely successful rock bands, it was the lead singer who was in charge of pumping up the crowd, with Julian Casablancas yelling things like “D.C., let’s rock!” and “What’s up, D.C.?!” The crowd went wild, but to Casablancas, it was clearly a joke. He was playing a role and said as much outright at the beginning of the show, but that didn’t stop the crowd, hungry for more entertainment, from taking him seriously. | |
| 18:35 | | Catfish: Emisiunea TV | MTV Europe
Justin Combs i se alătură lui Nev ca să-l ajute pe CJ să o găsească pe Shana, o femeie cu care CJ a avut o relaţie tumultoasă timp de 8 ani, dar pe care nu a întâlnit-o niciodată. | |
| 18:47 | | Angel Forrest Show 2017 | Stingray Djazz
With a career of more than 30 years and 10 albums, Angel Forrest, recipient of the Maple Blues Awards for Female Vocalist of the Year for the las five years and finalist at the International Blues Challenge 2018 in Memphis, strikes again with Electric Love, a double live album. It was her tribute show to the legendary Janis Joplin that brought Angel Forrest to the public. Her spot on tribute to Janis Joplin was another unique signature on blues takes. She decided to immortalize her interpretations of the songs on an album called Angel Sings Janis Live. Then, she recorded her first album with her own compositions, Here For You. There is no question that Angel is one of the most powerful singers on the contemporary blues scene today. The strength of her performances, her distinctive voice and fiery personality has allowed her to conquer the hearts of thousands of fans around the world. | |
| 19:00 | | Global Beats! | MTV Live HD
Tune in for a selection of the biggest Hip-Hop, RnB and Reggaeton beats that are taking over the world! | |
| 19:00 | | NEW | Trace Caribbean
To not miss a minute of what’s happening on the tropical music scene, check out NEW, featuring the latest zouk, salsa, reggae, merengue, konpa, soca and reggaeton videos that are buzzing in the Tropics. | |
| 19:20 | | Catfish: Emisiunea TV | MTV Europe
Tristyn e îndrăgostit lulea de Lara, o fată cu care vorbeşte de ani de zile, dar cu care nu se poate întâlni. Ies la iveală lucruri care îi fac pe toţi să se întrebe dacă e ceva real în privinţa Larei. | |
| 19:23 | | Ozzy Osbourne - God Bless Ozzy Osbourne | Stingray iConcerts HD
Ozzy Osbourne is one of the most iconic figures in rock and one of the founding fathers of heavy metal. "God Bless Ozzy Osbourne" tells for the first time the story of his career from the founding of Black Sabbath through to solo stardom and his wider fame beyond. These were the wild days of his prodigious drug and alcohol intake, of biting the head from a dove at a record company meeting and biting into a bat on stage but also of the tragic death of Randy Rhoads and the reality TV show The Osbournes. The film follows Ozzy's torturous and emotionally fraught journey from excess to sobriety, which Ozzy regards as his greatest accomplishment. Featuring never before seen footage, new interviews with Ozzy himself, his family, his bandmates, and those who both inspired him and were inspired by him, this is the first film to take viewers inside the mind and psyche of this legendary figure. | |
| 19:24 | | Orchestre Philharmonique Royal de Liège and Gergely Madaras: Boesmans, Ravel | Mezzo Live HD
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Chœur de Radio France
David Kadouch (piano)
Philippe Boesmans (1936 - 2022)
Fin de nuit, for piano and orchestra
Maurice Ravel (1875 - 1937)
Daphnis et Chloé
Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019
Directed by Arnaud Lalanne | |
| 19:26 | | Toko Telo - WOMEX 2018 | Stingray Djazz
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Malagasy power trio Toko Telo, combines dazzling musicianship with sparkling compositions inspired by their shared southern Madagascar roots, featuring the soulful voice of Monika Njava and dexterously interweaving guitar wizardry from D’Gary and Joël Rabesolo. | |
| 19:50 | | Esports Balkan League | Gametoon HD
Witness the history being written once again while the biggest teams in the eSports industry are competing against eachother playing Leauge of Legends in Esports Balkan League. | |
| 20:00 | | 100% Party Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're 100% party tunes, we're playing them all! | |
| 20:00 | | The Power Of Love! | MTV 80s
The power of love is strong here at MTV which is why we've put all of the best 80s love songs together in one playlist! | |
| 20:00 | | The Rock Zone! | MTV Live HD
You are now entering the rock zone! Expect nothing but the biggest, loudest, hottest rock tunes to ever exist! | |
| 20:02 | | Erroll Garner: Belgium 1963 | Stingray Djazz
Erroll Garner: Live in '63 & '64 presents two beautifully filmed concerts featuring his classic trio of bassist Eddie Calhoun and drummer Kelly Martin. Erroll Garner was one of jazz’s true original players and this showcases his improvisational brilliance on a parade of his most classic numbers, such as “Fly Me To The Moon” and “I Get A Kick Out Of You”, as well as originals “Erroll’s Theme,” “Mambo Erroll”, and his best-known composition, “Misty”. | |
| 20:15 | | The Cleveland Orchestra plays Brahms in Vienna : Symphonies no. 2 & 3 | Mezzo
The Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor)
Johannes Brahms (1833 - 1897)
Symphony no. 3 in F major, op. 90
Symphony no. 2 in D major, op. 73
Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna
TV Director Brian Large | |
| 20:45 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
| 20:57 | | Snow Patrol - Live At Somerset House | Stingray iConcerts HD
With their third album, 'Final Straw', selling a cool 1.5 million in the UK in its year of release, Snow Patrol's reputation as a remarkable band remains intact. 'Live At Somerset House' reveals why the band is praised for delivering fantastic live performances. It also places them at one of London's most gorgeous settings which complements the band's distinctive and provocative sound perfectly. Performing live for the first time with a string section, this amazing Snow Patrol concert, features all the key hits including 'Run', 'Spitting Games', 'Chocolate' and a blistering version of 'Tiny Little Fractures'. | |
| 21:00 | | New | Trace Urban HD
An hour dedicated to freshness, NEW brings you the all the latest videos of your favorite artists. | |
| 21:05 | | MotorMusic Jazz Sessions: De Beren Gieren | Stingray Djazz
The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. The Dutch-Belgian acoustic-electronic piano threesome ‘De Beren Gieren’ (‘The Bears Shriek’, ‘Les Ours Vautours’) are known for their unique energetic sound, sparkling melodies, complex song structures and quirky song titles. ‘De Beren Gieren’ brings a fresh yet familiar blend of polyrhythmic soundscapes, sing-alongs, and elitist twists, building a sonorous bridge between early 20th century classical compositions and more contemporary escapades. ‘De Beren Gieren’ show an ability to change mood quite suddenly in a way that constantly holds the audience’s attention. A surprising live experience not to be missed! | |
| 21:10 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelovă încurajează să vă 'Înfruntaţi temerile',să aflaţi 'Cine e la uşă' şi să băgaţi maşinaîn 'Modul submarin'. | |
| 21:30 | | Così fan tutte by Mozart at the Berlin Staatsoper | Mezzo
Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte
‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791)
Libretto by Lorenzo da Ponte
Premiered at the Burgtheater, Vienna, January 26, 1790
Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor)
Martin Wright (chorus master)
Vincent Huguet (Stage director)
Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy)
Federica Lombardi (Fiordiligi)
Marina Viotti (Dorabella)
Barbara Frittoli (Despina)
Paolo Fanale (Ferrando)
Gyula Orendt (Guglielmo)
Lucio Gallo (Don Alfonso)
Berlin, Staatsoper unter der Linden, October 3, 2021 | |
| 21:35 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steeloanalizează greşelile făcute în 'Lecţii învăţate',apreciază că 'Sinceritatea e o politică de rahat', uneori, şi află ce fac copiii când 'Am ieşit un minut'. | |
| 21:37 | | Franz Liszt Competition 2017 - Semi Final II | Stingray Classica
Jan Hugo (1991, South Africa) performs Die drei Zigeuner (S383), Die Zelle in Nonnenwerth (S382bis) and La lugubre gondola (S134bis) during semi-final II (chamber music) of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions. | |
| 21:45 | | Bastille: I Want My MTV | MTV Live HD
Bastille comes in to MTV HQ to talk about the music videos that have made them into the successful band they are today! What was the first video they saw on MTV and who's their biggest inspiration? | |
| 22:00 | | John McLaughlin & The 4th Dimension - A to Jazz Festival | Mezzo Live HD
John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022John McLaughlin (guitar)
Gary Husband (piano)
Etienne M’Bappe (bass)
Nicolas Viccaro (drums)
A to Jazz Festival, Sofia, 2022 | |
| 22:00 | | Non-Stop Nostalgia | MTV 00s
Start reminiscing about the good old days with this non-interrupted playlist filled with all of your favourite hits from back in the day! | |
| 22:00 | | Greatest 80s Rock: Play It Loud! | MTV 80s
Hard! Alternative! Heavy! Post-punk! Metal! Indie! Goth! Call it what you want, but turn up the volume as we delve into the decade's best rock tracks in all their incarnations, right here on MTV80s! | |
| 22:00 | | Non-Stop Europop! | MTV 90s
No, no, no-no, no, no - but YES! It's Europop perfection with our playlist full of 90s mega-hits from 2 Unlimited, Haddaway, Corona and many, many, many more! | |
| 22:00 | | The Morricone Duel | Stingray Classica
This exclusive live concert production presents a unique selection of movie classics - from Sergio Leone’s iconic Spaghetti Westerns to modern mafia masterpieces by Francis Ford Coppola and the cult movies of Tarantino. The Danish National Symphony Orchestra and Concert Choir are conducted by Sarah Hicks in this premiere performance of authentic soundtracks by composer legends Ennio Morricone, Nino Rota, Sonny Bono, and Bernard Herrmann. Soloists for this performance are Tuva Semmingsen (mezzo), Christine Nonbo Andersen (soprano), Hans Ulrik (saxophone) and Mads Kjølby (guitars). Recorded at the DR Koncerthuset in Copenhagen, Denmark in 2018. | |
| 22:05 | | James Arthur: I Want My MTV | MTV Live HD
James Arthur comes in to MTV HQ to talk about the music videos that have made him into the successful artist he is today! What was the first video he ever saw on MTV? Who's his biggest inspiration? | |
| 22:12 | | Visions of Music: Indian Affairs | Stingray Djazz
Visions of Music - World Jazz invites the viewer on a journey to the roots of music, introducing the enormous impact that traditional music from around the world has had on contemporary jazz. This program features legendary musicians such as BB King, Dino Saluzzi, Tito Puente, Carlos Santana, Zawinul Joe, Manu Dibango, Abdullah Ibrahim, as well as new generation representatives such as Nicholas Payton, Cyro Baptista, and Don Byron. This episode of the Visions of Music series takes us to India. Indian classical music is based on improvisation, and thus offers important similarities with jazz. One of the figures responsible for the growing popularity of Indian music in the West is surely Ravi Shankar. This musician has collaborated with jazz legends, including John Coltrane and Don Ellis. | |
| 22:45 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
Noaptea | 23:00 | | Stream Nation - God of War | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 23:00 | | Snarky Puppy - A to Jazz Festival | Mezzo Live HD
Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022Michael League (bass)
Bill Laurance, Bobby Sparks II, Shaun Martin (piano)
Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets)
Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars)
Chris Bullock, Bob Reynolds (saxophones)
Zach Brock (violin)
Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums)
A to Jazz Festival, Sofia, 2022 | |
| 23:00 | | ... So 80s! | MTV 80s
Get ready because we're bringing you nothing but classic hits and iconic anthems from the 80s! | |
| 23:00 | | The Challenge Spioni, minciuni şi alianţe | MTV Europe
Schimbarea șocantă a lui TJ induce panica printre concurenții care se luptă să supraviețuiască înainte de finală. Un concurent ajunge să fie în pericol fiindcă a încercat să ajute alt concurent în etapa eliminării. Concurenții rămași încep finala. | |
| 23:00 | | Céu - Moods | Stingray Djazz
Brazilian singer-songwriter Maria do Céu Whitaker Poças, better known as Céu, grew up in a musical family. She studied music theory and plays the acoustic guitar known as the 'violão'. Her debut album, CéU, received a Grammy nomination in the category 'Best Contemporary World Music Album' in 2008. In the years that followed, Céu received several other nominations and awards. Her music reveals traces of samba, soul, African music, pop, and electrojazz. In this 2017 concert, Céu is accompanied by David Bovée (guitar), João Leão (keyboard), Lucas Martins (bass), and Thomas Harres (drums). This performance was recorded at Jazz Club Moods in Zurich, Switzerland. | |
| 23:00 | | VOYANCE | Trace Caribbean
Find here all the broadcast,which make the success of TV Astrocenter. At the same time playful and didactic, these programs assure you to spend a good moment. | |
| 23:12 | | Händel - Dettingen Te Deum (HV 283) | Stingray Classica
Patrick Debrabandere conducts the Vox Mago choir in a performance of The Dettingen Te Deum (HWV 283), a canticle composed by George Frideric Handel, in 1743. On June 27, 1743, the British army and its allies, under the command of King George II and Lord Stair, won a victory at the Battle of Dettingen, over the French army. On the King's return, a day of public thanksgiving was appointed, and Handel was commissioned to write a Te Deum. Soloists are Bart Uvyn (alto), Denzil Delaere (tenor), Helena Maes (soprano), and Joris Stroobants (bas). The Vox Mago is made up of a group of enthusiastic and dynamic singers. The perfromance is recorded at the Onze-Lieve-Vrouw Presentatiekerk in Gent in 2018. | |
| 23:55 | | Stream Nation - Assasin's Creed Odyssey | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 23:55 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo analizeazăcrizele ""Furiei vârstei a doua"", îşi fac timp pentru eiîn ""Sanctuarul maşinii"" şi încearcă să fie serioşicu cei care ""Nu se opresc din maimuţăreli"". | |
| 00:00 | | Reload! Club Classics | Club MTV
We're going big on dancefloor smashes from across our favourite decades - that's massive tunes from the 90s, 00s and 10s! | |
| 00:00 | | Jazzanitza - A to Jazz Festival | Mezzo Live HD
Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval)
Dimitar Liolev (saxophone)
Borislav Iliev (guitar)
Mihail Ivanov (bass)
Borislav Petrov (drums)
A to Jazz Festival, Sofia, 2022 | |
| 00:00 | | Playlist | Trace Caribbean
Classic hits and new songs from the best Zouk, Reggae, Bachata, Dancehall, Salsa, Kizomba, Reggaeton, Compa artists. | |
| 00:20 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo analizeazăce păţesc cuplurile când ""Se termină luna de miere"",îi salută pe cei care ar face orice ""În numele jafului""şi devin mediumi cu ""Vederea celui de-al treilea ochi"". | |
| 00:31 | | Martha Argerich, Daniel Barenboim - Mozartwoche | Mezzo
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
Martha Argerich, Daniel Barenboim (piano)
Wolfgang Amadeus Mozart (1756 - 1791)
Sonata in C major for piano four hands K. 521
Sonata in F major for piano four hands K. 497
Andante with five variations in G major for piano four hands K. 501
Sonata in D major for two pianos K. 448
Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 | |
| 00:32 | | Istanbul Sessions: Telvin Trio | Stingray Djazz
After jazz reached Istanbul, it firmly took root there. Quite a few jazz bars have sprung up to cater to the genre’s fans. The DJAZZ series ‘Istanbul Sessions’ is the thermometer of Istanbul jazz in the first decade of the 2000s. The concerts featured in this series were recorded at several Istanbul jazz clubs, featuring some of the very best and freshest jazz bands. The series offers an eye-witness account of the incredible inventiveness and diversity of Istanbul’s jazz scene. During the opening night of the Alt Jazz Club, two exceptional guitarists gigged with their respective formations. First, the veteran guitarist Erkan Ogur and his Telvin Trio take the stage. He is well known as the revisitor of the fretless guitar, yielding a rare original sound. Then, the young guitarist Sarp Magden plays an invigorating set in this recently-opened Istanbul jazz club. | |
| 00:40 | | Ridiculozaurii | MTV Europe
Într-un nou episod, Rob, Chanel şi Steelo ne aratăcum ""Să cucerim mulţimea"", se aşază cu ""Scaune însângerate""şi taie câteva lucruri de pe ""Lista dorinţelor"". | |
| 01:00 | | Debussy - Pelléas et Melisande | Stingray Classica
Alain Altinoglu conducts the Philharmonia Zürich, Zusatzchor Opernhaus Zürich and SoprAlti der Oper Zürich in a performance of Debussy’s Pelléas et Mélisande, an opera in five acts to the French libretto from Maurice Maeterlinck's play. It was premiered at the in Paris by the Opéra-Comique in 1902. The plot concerns a love triangle; Prince Golaud finds Mélisande, a mysterious young woman. After marrying her he brings her back to the castle of his grandfather, King Arkel, where Mélisande becomes attached to Golaud’s younger half-brother Pelléas. Main soloists are Brindley Sherratt (Arkel), Jacques Imbrailo (Pelléas), Kyle Ketelsen (Golaud) and Corinne Winters (Mélisande). Directed by Dmitri Tcherniakov and recorded at the Opernhaus Zürich in 2016. | |
| 01:05 | | MTV Floribama Shore | MTV Europe
Relaţia dintre Gus şi Nilsa face valuri în toată casa. Kortni hotărăşte să dea cărţile pe faţă şi îi spune lui Jeremiah ce simte. Nilsa capătă sentimente, iar Gus pune ochii pe un grup de fete. | |
| 01:55 | | Stream Nation - Hellblade Senua's Sacrifice | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 02:00 | | Big Tunes! | Club MTV
Classic anthems or new dancefloor smashes. As long as they're big tunes, we're playing them all right now! | |
| 02:00 | | Ensemble K, Simone Menezes: Tchaikovsky, Debussy, Glass, Villa-Lobos, Brahms | Mezzo
Ensemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor)
Erato Choir
Mara Dobresco (piano)
Camila Titinger (soprano)
Mélanie Laurent (harp)
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Serenade for strings op. 48 - Overture
Claude Debussy (1862 - 1918)
Danses sacrée et profane
Philip Glass (*1937)
Study no.6
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileras no. 5 - Aria Cantilena
Johannes Brahms (1833-1897)
Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus Fingal | |
| 02:00 | | MTV Top 20 | MTV Hits
Let's take a look at some of the biggest hits that are circulating the globe right now in this top 20 countdown! | |
| 02:00 | | Pomrad: Live at Jazz en Baie Festival | Stingray Djazz
Pomrad, alias Adriaan van de Velde, an electronic producer from Antwerp, creates harmonious and colourful music blended with by '80s funk, '90s rap, and elements of jazz, house, dub, and trap. His productions are often compared to Hudson Mohawke and Daft Punk. Since 2014, Pomrad has been offering his audience a funky and highly visual show which has been successful at West European festivals. Following his first EP, Pomrad performs at Jazz en Baie with music of his album This Day. | |
| 02:35 | | Ridiculozaurii | MTV Europe
Într-un episod nou, Rob, Chanel şi Steelo îşi cunosc latura mai blândă în Dur şi fraged, urmăresc hoţi copii în Degete mici, dar lipicioase şi iau o doză triplă de durere în Ameninţări triple. | |
| 02:45 | | Albumul Naţional | National TV
Singura emisiune despre folclorul românesc autentic ce poate fi urmărită la o televiziune comercială este prezentată de doi interpreţi populari extrem de cunoscuţi - Cornelia şi Lupu Rednic. Programul are, în fiecare ediţie, invitaţi la fel de populari printre iubitorii de folclor precum prezentatorii, invitaţi care vin din toate zonele ţării pentru a aduce în faţa telespectatorilor obiceiurile, tradiţiile, cântul şi portul specifice regiunii lor.
Albumul Naţional este o pledoarie pentru cântecul şi arta populară autentice, aducând telespectatorul mai aproape de valorile neamului făcându-l totodată să descopere ori să redescopere tradiţiile, istoria şi cântul autentic din zona din care el însuşi provine. | |
| 02:55 | | Ridiculozaurii | MTV Europe
Într-un episod nou, Rob, Chanel şi Steelo primesc vedeta YT Jake Paul ca să scoată la iveală Jake falşi, celebrează Oraşul Păcatelor cu Foarte Vegas şi dau replici rapide cu Le-am făcut-o. | |
| 02:59 | | Incognito - Sing Jazz 2018 | Stingray Djazz
An acid jazz project rooted in the 1970s jazz/funk/soul world, Incognito was originally formed by Jean-Paul "Bluey" Maunick and Paul "Tubbs" Williams. Both were original members of the late 1970s disco/funk group Light of the World. They decided to take a couple of their jams into the studio and debuted with the single Parisienne Girl. Decades later, Incognito’s cover of Boz Scaggs’ classic Lowdown with Chaka Khan and Mario Biondi saw the band’s international status grow more and more popular. At Sing Jazz 2018, Incognito takes a fresh direction on classic musical themes, giving their fans an unforgettable live show! | |
| 03:00 | | Orchestre Philharmonique Royal de Liège, Gergely Madaras: Walton, Liszt | Mezzo Live HD
Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor)
Gautier Capucon (cello)
William Walton (1902 – 1983)
Concerto for cello and orchestra
Franz Liszt (1811 – 1886)
Faust-Symphonie (version for solo orchestra, 1854)
Liège, Philharmonic Hall, September 16, 2022 | |
| 03:00 | | Non-Stop Hits | MTV Hits
We're bringing you nothing but the biggest tracks and chart anthems, the hits never stop! | |
| 03:00 | | The Rock Zone! | MTV Live HD
You are now entering the rock zone! Expect nothing but the biggest, loudest, hottest rock tunes to ever exist! | |
| 03:40 | | Stream Nation - God of War | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 03:51 | | Dusapin's Penthesilea at the Philharmonie de Paris | Mezzo
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat
Penthesilea
Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955)
Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist
First performance in Brussels, Théâtre de la Monnaie, 31 May 2015
Orchestre de Paris Ariane Matiakh (Conductor)
Accentus, Richard Wilberforce (Chorus Master)
Thierry Coduys (electroacoustic)
Christel Loetzsch, mezzo-soprano (Penthesilea)
Marisol Montalvo, soprano (Prothoe)
Georg Nigl, baryton (Achilleus)
Paul Gay, baryton-basse (Odysseus)
Noa Frenkel, contralto (OberPriesteri)
Recorded at the Philharmonie de Paris, 27 November 2020
Directed and staged by Philippe Béziat | |
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Estival Jazz Lugano is an annual, open-air music festival that takes place over five days in the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. In 1985, American vocal virtuoso Bobby McFerrin took the stage solo at Estival Jazz Lugano. The one-man musical force stunned the audience with his unique vocal percussion as he delved into the crowd for this quirky and charming act. | |
| 04:40 | | Orchestre Philharmonique Royal de Liège, Gergely Madaras: Dvořák, Franck | Mezzo Live HD
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor)
Victor Julien-Laferrière (Cello)
Antonín Dvořák (1841 – 1904)
Cello Concerto in B minor Op. 104
César Franck (1822 – 1890)
Symphony in D minor
Liège, Salle Philharmonique, 25 November 2021 | |
| 05:00 | | 90s Mixtape! | MTV 90s
Get your walkman ready, we've hand-picked a mega selection of 90s pop, R&B and dance videos from the MTV archive. Mix it up, on MTV 90s! | |
| 05:00 | | Louis 'Satchmo' Armstrong and His All Stars | Stingray Djazz
Louis Armstrong: Live in '59 is one of the only known complete Armstrong concerts from the 1950s to be captured on film. This 55-minute set, filmed in Belgium in 1959, features many of Satchmo’s greatest songs including ‘Mack The Knife’, ‘When It’s Sleepy Time Down South’ and ‘Stompin’ At The Savoy,’ backed by his stellar band the All-Stars, featuring Trummy Young, Peanuts Hucko, Billy Kyle, Danny Barcelona and Mort Herbert. | |
| 05:00 | | #dyk? | Trace Urban HD
DID YOU KNOW? In #DYK?, TRACE Urban brings you all the latest news about your favorite artists - gossips, behind the scenes, music updates - while you are watching his / her new music video. | |
| 05:15 | | Stream Nation - The Resident Evil 2 | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 05:27 | | Biréli Lagrène & Sylvain Luc - Nancy Jazz Pulsations | Mezzo
Bireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc
Birelli Lagrene (guitar)
Sylvain Luc (guitar)
Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty.
Lin up
The shadow of your smile
Douce Ambiance
Just the way we are
Manoir de mes rêves
Freedom Jazz Dance
Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival
TV Director, Sylvain Pierrel | |
| 05:37 | | Beethoven - Symphony No. 7, Op. 92 | Stingray Classica
Fabio Luisi conducts the Danish National Symphony Orchestra in a performance of Strauss’ Horn Concerto No. 1. This work is one of the most popular and frequently performed horn concertos written in the 19th century, and the first orchestral piece the composer wrote for the instrument. Strauss’ father, Franz, was a virtuoso horn player, and one of the leading performers of his time. Also featured in this program are performances of Beethoven’s immortal Symphony No. 7 and Schoenberg’s early work Verklärte Nacht. The soloist for Strauss’ virtuoso Horn Concerto is the DNSO’s principal horn player Lasse Mauritzen. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in 2017. | |
| 05:54 | | Laurent Coulondre "Gravity Zero" - Moods | Stingray Djazz
Since its opening in 1992, jazz club Moods has developed into one of Zurich’s largest and most prominent cultural venues. At the same time, it has become one of Europe’s prominent jazz clubs which today enjoys a well-deserved worldwide reputation among musicians and critics. The venue books a large variety of genres, ranging from jazz and soul to electronic and international music. One of the artists performing at Moods is Laurent Coulondre, a rising star on the French jazz scene. His music explores jazz, funk, fusion, progressive rock and hardbop, resulting in groovy, fresh jazz rock that calls to mind Snarky Puppy and Chick Corea. | |
| 05:55 | | Isabelle Faust, Alexander Melnikov: Beethoven's Violin Sonatas No. 3, 4 & 5 | Mezzo Live HD
Isabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano)
Ludwig van Beethoven
Violin Sonata No. 4 in A minor, Op. 23
Violon Sonata No. 5 in F major, Op. 24 'Spring'
Violin Sonata No. 3 in E flat major, Op. 12
Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin
TV Director, Jan Schmidt-Garre | |
| 06:00 | | Non-Stop Nostalgia | MTV 00s
Start reminiscing about the good old days with this non-interrupted playlist filled with all of your favourite hits from back in the day! | |
| 06:00 | | Albumul Naţional | National TV
Singura emisiune despre folclorul românesc autentic ce poate fi urmărită la o televiziune comercială este prezentată de doi interpreţi populari extrem de cunoscuţi - Cornelia şi Lupu Rednic. Programul are, în fiecare ediţie, invitaţi la fel de populari printre iubitorii de folclor precum prezentatorii, invitaţi care vin din toate zonele ţării pentru a aduce în faţa telespectatorilor obiceiurile, tradiţiile, cântul şi portul specifice regiunii lor.
Albumul Naţional este o pledoarie pentru cântecul şi arta populară autentice, aducând telespectatorul mai aproape de valorile neamului făcându-l totodată să descopere ori să redescopere tradiţiile, istoria şi cântul autentic din zona din care el însuşi provine. | |
| 06:15 | | Stream Nation - Cuphead | Gametoon HD
Join Gametoon for true gaming fiesta with some of the most popular streamers in the world. Stream Nation series offers a chance to learn more about such titles as The Resident Evil 2, Spider-Man, Fortnite or Unravel 2. Tune in for non-stop fun and countless tips on how to improve your gaming skills! | |
| 06:25 | | Kenny Barron - Alfa Jazz Festival | Mezzo
Kenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos RozenbergKenny Baron
Kenny Barron (piano)
Marcus Strickland (saxophone)
Riley Mulherkar (trumpet)
Kiyoshi Kitagawa (bass)
Johnathan Blake (drums)
Recorded on June 27, 2019 at the Leopolis Jazz Fest
TV Director, Amos Rozenberg | |
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