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07:00Il Trovatore by Giuseppe Verdi at the Gran Teatre del Liceu
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier
 
09:25InterMezzo 
10:30Les Arts Florissants, William Christie - Peralada Festival
Les Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane LebardLes Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 – 1759) Trio Sonata in C minor HWV 386a Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane Lebard
 
13:28InterMezzo 
14:00Juditha Triumphans by Vivaldi at the Greek National Opera
Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.Juditha triumphans Oratorio by Antonio Vivadi (1678 – 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.
 
16:04Salome by Strauss at the Opéra national de Paris
Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022Salome ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949) Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde First performance in Dresden, Hofoper, 9 December 1905 Orchestre de l'Opéra national de Paris, Simone Young (Conductor) Lydia Steier (Stage direction) Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy) Elza van den Heever (Salome) Iain Paterson (Jochanaan) John Daszak (Herodes) Karita Mattila (Herodias) Tansel Akzeybek (Narraboth) Katharina Magiera (Page der Herodias) Matthäus Schmidlechner (Erster Jude) Éric Huchet (Zweiter Jude) Maciej Kwaśnikowski (Dritter Jude) Mathias Vidal (Vierter Jude) Sava Vemić (Fünfter Jude) Luke Stoker (Erster Nazarener) Yiorgo Ioannou (Zweiter Nazarener) Dominic Barberi (Erster Soldat) Bastian Thomas Kohl (Zweiter Soldat) Alejandro Baliñas Vieites (Cappadocier) Thomas Ricart (Ein Sklave) Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022
 
17:50InterMezzo 
18:20The Orchestre Philharmonique Royal de Liège and Gergely Madaras: Gershwin
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège
 
19:24Orchestre Philharmonique Royal de Liège and Gergely Madaras: Boesmans, Ravel
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud LalanneOrchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liège, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud Lalanne
 
21:05InterMezzo 
22:00John McLaughlin & The 4th Dimension - A to Jazz Festival
John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022John McLaughlin (guitar) Gary Husband (piano) Etienne M’Bappe (bass) Nicolas Viccaro (drums) A to Jazz Festival, Sofia, 2022
 
23:00Snarky Puppy - A to Jazz Festival
Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022Michael League (bass) Bill Laurance, Bobby Sparks II, Shaun Martin (piano) Mike "Maz" Maher, Justin Stanton, Jay Jennings (trumpets) Bob Lanzetti, Mark Lettieri, Chris McQueen (guitars) Chris Bullock, Bob Reynolds (saxophones) Zach Brock (violin) Nate Werth, Marcelo Woloski, Keita Ogawa, Larnell Lewis (drums) A to Jazz Festival, Sofia, 2022
 
00:00Jazzanitza - A to Jazz Festival
Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022Zhivko Vasilev (kaval) Dimitar Liolev (saxophone) Borislav Iliev (guitar) Mihail Ivanov (bass) Borislav Petrov (drums) A to Jazz Festival, Sofia, 2022
 
01:30InterMezzo 
03:00Orchestre Philharmonique Royal de Liège, Gergely Madaras: Walton, Liszt
Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022Orchestre Philharmonique de Liège, Gergely Madaras (conductor) Gautier Capucon (cello) William Walton (1902 – 1983) Concerto for cello and orchestra Franz Liszt (1811 – 1886) Faust-Symphonie (version for solo orchestra, 1854) Liège, Philharmonic Hall, September 16, 2022
 
04:40Orchestre Philharmonique Royal de Liège, Gergely Madaras: Dvořák, Franck
Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Victor Julien-Laferrière (Cello) Antonín Dvořák (1841 – 1904) Cello Concerto in B minor Op. 104 César Franck (1822 – 1890) Symphony in D minor Liège, Salle Philharmonique, 25 November 2021
 
05:55Isabelle Faust, Alexander Melnikov: Beethoven's Violin Sonatas No. 3, 4 & 5
Isabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-GarreIsabelle Faust (violin), Alexander Melnikov (piano) Ludwig van Beethoven Violin Sonata No. 4 in A minor, Op. 23 Violon Sonata No. 5 in F major, Op. 24 'Spring' Violin Sonata No. 3 in E flat major, Op. 12 Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin TV Director, Jan Schmidt-Garre
 


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