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23.12.2024, 22:18
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07:05Chucho Valdes & The Afrocuban Allstar invite Buika - Jazz à Vienne
Chucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick SaveyChucho Valdes & The Afrocuban Allstar invite Buika at Jazz À Vienne festival Chucho Valdés - piano Reinaldo Melián Alvarez - trumpet Carlos Manuel Miyares Hernandez - tenor sax Lázaro Rivero Alarcón - bass Dreiser Durruthy Bombalé - percussion, batá, vocals Recorded at the Vienna Jazz Festival, 2013 TV director, Patrick Savey
 
08:01InterMezzo 
10:00Tristan und Isolde, by Richard Wagner at the Staatsoper Berlin
Tristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy SommerTristan und Isolde, drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy Sommer
 
14:13InterMezzo 
15:00Quatuor Arod at the Fondation Singer Polignac: Mozart, Beethoven, Debussy
Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 ‘Les dissonances’ KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor ‘Serioso’ opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022
 
16:30InterMezzo 
17:00Fata Morgana by Béatrice Massin, Compagnie Fêtes Galantes
Fata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane LebardFata Morgana Choreogrphy by Béarice Massin Compagnie Fêtes Galantes Recorded on June 9 & 10, 2018 at the Château de Bouge TV Director, Stéphane Lebard
 
17:52Daniel Barenboim plays the Piano Sonatas by Beethoven: Piano Sonata no. 29
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic DelesquesDaniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ("Hammerklavier") Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
 
18:44Barenboim on Beethoven: Episode 1 - Genius & Destiny 
19:10Barenboim on Beethoven: Episode 2 - New Dimensions 
19:35Barenboim on Beethoven: Episode 3 - Form : The Waldstein 
20:15The Cleveland Orchestra plays Brahms in Vienna : Symphonies no. 2 & 3
The Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian LargeThe Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian Large
 
21:30Così fan tutte by Mozart at the Berlin Staatsoper
Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021Così fan tutte ‘Dramma giocoso’ in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021
 
00:31Martha Argerich, Daniel Barenboim - Mozartwoche
Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021 Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
 
02:00Ensemble K, Simone Menezes: Tchaikovsky, Debussy, Glass, Villa-Lobos, Brahms
Ensemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus FingalEnsemble « K », Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17 : Es tönt ein voller Harfenklang - Gesang aus Fingal
 
02:56Maestras: A Long Journey of Women to the Podium 
03:51Dusapin's Penthesilea at the Philharmonie de Paris
Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat
 
05:27Biréli Lagrène & Sylvain Luc - Nancy Jazz Pulsations
Bireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain PierrelBireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrène and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes rêves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain Pierrel
 
06:25Kenny Barron - Alfa Jazz Festival
Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos RozenbergKenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg
 


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