Since the German bands Modeselektor and Apparat joined forces in 2009, they have been hugely successful as the electronic music supergroup Moderat. In 2016, they returned with their album III, which they present live on stage at Stereolux in Nantes.
A sound support with provocative combinations, a modern music laboratory, a vehicle of inspiration whose importance has been proven by many high-profile collaborations. Music lovers who appreciate jazz for its ability to provoke and continuously question the status quo certainly do not expect that such a standard set in its configuration finds itself completely detached from tradition. But sometimes, the more the DNA of a set is anchored in tradition, the higher the margin to give way to novelty. Innovation is at the heart of the approach of VEIN, a bold Swiss ensemble composed of brothers Michael and Florian Arbenz, and bassist Thomas Lähns, for whom the term "piano trio" has long been too restrictive.
Maestro Myung-Whun Chung leads the Orchestra and Chorus of the Maggio Musicale Fiorentino, along with two vocal soloists, in this impressive performance of Gustav Mahler’s Symphony No. 2 in C minor, ‘Resurrection’. Soprano Christiane Karg and alto Claudia Huckle are the soloists. Written between 1888 and 1894, this five-movement symphony is scored for a large orchestra, chorus, and soprano and alto soloists. Mahler explores themes of life, death, and resurrection throughout the symphony. Its first movement resembles a funeral march, while the second, a graceful Ländler, creates a stark contrast with the somber character of the first. The third movement is a Scherzo based on Mahler’s musical setting of ‘Des Antonius von Padua Fischpredigt’ from the collection Des Knaben Wunderhorn. The composer also used another Wunderhorn poem, ‘Urlicht’ (Primal Light), for the fourth movement, incorporating both text and music, sung by the alto. The chorus makes its entrance in the second part of the fifth and final movement with the ‘Resurrection’ chorale. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.
The Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This film is the second release in the Club Date series and features the Pixies in the intimate Paradise Club in Boston. It is a companion to the simultaneously released “Pixies Acoustic: Live In Newport”.
Este un tonomat de fragmente muzicale, care va oferi telespectatorilor o selecție eclectică de genuri (simfonic, jazz, fusion, indie, operă etc) selectate din concerte, arii celebre, videoclipuri, cu rolul de a ne aminti sau învăța partituri care au scris istoria muzicii.
Producător: Valentina Ionescu
(Reluare)
For his latest project, Peter Doherty (The Libertines, Babyshambles, Peter Doherty & The Puta Madres) has teamed up with Frédéric Lo, a guitarist and composer known for his work with Daniel Darc on the album Crèvecœur.
Chloe nu mai e interesată de Ant, dar îi dă speranţe când îl lasă în patul ei. Gaşca se sperie într-o noapte de groază prin pădure. Abbie şi Chloe vorbesc după mult timp.
'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.
This documentary by Mark Perna shows the training and professional growth actions for opera singers, the promotion and enhancement of the cultural offer of the city and province of Modena and the maintenance and development of the Modenese musical tradition in the field of opera.