Program TV: Vineri, 24.01.2020 | Stingray Classica | | | | | | | | | | Acum la TV |
Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
| 08:25 | | Semi Final I - Liszt Competition 2017
Jenny Chen (1994, Taiwan) performs Tchaikovsky/Liszt - Polonaise aus der Oper Jewgeny Onegin, S429, Rubinstein/Liszt - Zwei Lieder, S554 und Rapsodie Espagnole, S254 during the semi-final I (transcription) of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions. | |
| 08:58 | | TEMKO - Darkness Rises
What does outer space sound like? Composer Aart Strootman, artist in residence at the Tilburg Theatre and winner of the Gaudeamus Award in 2017, pondered this question. He analysed the last data NASA received in 2003 from its space probe Pioneer 10 and translated its sounds to mysterious music for his ensemble TEMKO. The ephemeral, long lines, the short outbursts, the electronics, and the voices all together made for a truly cosmic experience. Last year, Strootman arranged this insinuating score for the South Netherlands Philharmonic, for his own TEMKO to play along with the orchestra. The result was even more insinuating, thanks in part to the footage of space impressions Dries Alkemade made to accompany the music. Because of the many requests to repeat the programme, Darkness Rises returns unchanged as a part of November Music. Like last year, Karel Deseure will conduct. A mind-boggling experience for anyone who has not yet had a chance to see and hear the show and a great opportunity to discover new layers for those who did see it before. | |
| 09:48 | | TEMKO - Darkness Rises
What does outer space sound like? Composer Aart Strootman, artist in residence at the Tilburg Theatre and winner of the Gaudeamus Award in 2017, pondered this question. He analysed the last data NASA received in 2003 from its space probe Pioneer 10 and translated its sounds to mysterious music for his ensemble TEMKO. The ephemeral, long lines, the short outbursts, the electronics, and the voices all together made for a truly cosmic experience. Last year, Strootman arranged this insinuating score for the South Netherlands Philharmonic, for his own TEMKO to play along with the orchestra. The result was even more insinuating, thanks in part to the footage of space impressions Dries Alkemade made to accompany the music. Because of the many requests to repeat the programme, Darkness Rises returns unchanged as a part of November Music. Like last year, Karel Deseure will conduct. A mind-boggling experience for anyone who has not yet had a chance to see and hear the show and a great opportunity to discover new layers for those who did see it before. | |
| 10:03 | | Sibelius – Symphony No. 5
In 2013, the Finnish conductor Hannu Lintu was appointed principal conductor of the Finnish Radio Symphony Orchestra. Lintu studied piano and cello at the Sibelius Academy and the Turku conservatorium in Sweden’s southeast. He started conducting at the Sibelius Academy. His many concerts with the Finnish Radio Symphony Orchestra in 2012 made him the obvious replacement for Sakari Oramo, who, after many years as conductor and concert master, terminated his contract in 2012. The orchestra specializes in the performance of Finnish music, but also performs the great masterpieces of Gustav Mahler and Béla Bartók. The Finnish composer Jean Sibelius is the orchestra’s favourite, as well as the conductor. In cooperation with Finland’s national public broadcasting company Yle, all seven Sibelius symphonies are recorded and broadcast. After a brief spoken introduction about the piece, the orchestra performs the complete symphony. Sibelius composed his Symphony No. 2 between 1901 and 1902. It is one of his most popular symphonies. It marks the transition from a youthful to a more mature Sibelius. Large selections of the piece were written in Italy, and the Russian influence is replaced by an undefined southern ingredient: the piece is breathing warmth throughout. However, darkness has not completely disappeared and becomes apparent in the second movement, as the Russian influence makes a comeback and the spicy, all-embracing melody is reprised in the finale’s apotheosis. | |
| 14:00 | | Big Nightmare Music
Russian violinist, conductor and composer Aleksey Igudesman and British-Korean pianist and composer Hyung-ki Joo started their dynamic duo in 2004, when they created their show “A Little Nightmare Music,” a humorous take on Mozart’s “Eine Kleine Nachtmusik.” Since then, they have been performing at international festivals and touring internationally, often collaborating with artists from within and outside of the classical genre. “Big Nightmare Music” adds an orchestra to their two-man show. On top of favorites from their duo show, like Mozart Bond, Alla Molto Turca, and Cleaning vs. Riverdancing, the show boasts several uproarious sketches, tailor-made for a symphony orchestra, drawing everyone into their act, from the first violinist to the last percussionist. Their 2017 performance at the Grieghallen in Bergen, Norway, is conducted by Andrew Litton. | |
| 19:49 | | TEMKO - Darkness Rises
What does outer space sound like? Composer Aart Strootman, artist in residence at the Tilburg Theatre and winner of the Gaudeamus Award in 2017, pondered this question. He analysed the last data NASA received in 2003 from its space probe Pioneer 10 and translated its sounds to mysterious music for his ensemble TEMKO. The ephemeral, long lines, the short outbursts, the electronics, and the voices all together made for a truly cosmic experience. Last year, Strootman arranged this insinuating score for the South Netherlands Philharmonic, for his own TEMKO to play along with the orchestra. The result was even more insinuating, thanks in part to the footage of space impressions Dries Alkemade made to accompany the music. Because of the many requests to repeat the programme, Darkness Rises returns unchanged as a part of November Music. Like last year, Karel Deseure will conduct. A mind-boggling experience for anyone who has not yet had a chance to see and hear the show and a great opportunity to discover new layers for those who did see it before. | |
| 04:33 | | Mozart on Tour - Episode 9 : Vienna and Prague
The 13-part Mozart on Tour series chronicles the journey of Wolfgang Amadeus Mozart across Europe. Mozart's Le nozze di Figaro asks basic questions about the relationships of men and women, the aristocracy and their servants, and is, to this day, the most mature and genuine human operatic composition ever written. With sublimely beautiful music that supports, intensifies, and enhances the drama every step of the way, the Piano Concerto No. 24, KV 491 is solid drama from start to finish, with a minor harmonic structure reminiscent of Don Giovanni. In this performance, recorded at Schönbrunn palace in Vienna, Andre Previn is the soloist and conductor of the Royal Philharmonic Orchestra. | |
| 06:00 | | Herbert von Karajan Memorial Concert
No-one has been more important to musical life in post-war Europe than Herbert von Karajan. The Austrian conductor was musical director-for-life at the Berliner Philharmoniker, artistic director of the Wiener Staatsoper (through which he was closely involved with the Wiener Philharmoniker and the Salzburg Festival), he directed regularly at the Bayreuth Festival and the Lucerne Festival, he practically nursed the London-based Philharmonia Orchestra, and was a welcome guest in the United States: he performed at both the Metropolitan Opera and Carnegie Hall in New York. Moreover, Karajan played a major role in the development of the CD: he oversaw the birth of this new medium and made countless recordings. His death in 1989 marked the end of an era. His successor Claudio Abbado and the Berliner Philharmoniker commemorated him on July 16, 1999 by playing a concert at the Salzburg Cathedral. On the concert's programme were Mozart's arias "Betrachte dies mein Herz un Frage Mich," KV42 and "Laudate Dominum," KV339, and his beautiful Requiem, completed by Franz Xaver Süszmayr. | |
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