Program TV: Joi, 18.12.2025 | Stingray Classica  | | |  | | | | | | | Acum la TV |
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 | 07:35 | | Bruch - Violin Concerto No. 1, Op. 26
Sir Simon Rattle conducts the Berliner Philharmonic during the 2008 edition of the Europakonzert, held in the renowned hall of the Tchaikovsky Conservatory in Moscow. The first edition of the Europakonzert was in 1991, and since then, the founding of the Berlin Philharmonic on May 1st in 1882 is annually celebrated with a concert in a European city of cultural significance. The orchestra opens with an outstanding performance of Stravinsky’s Symphony in Three Movements. Furthermore, Vadim Repin, one of today’s most fascinating artists, features as soloist in Bruch’s Concerto for Violin No. 1, Op, 26. The orchestra concludes with a performance of Beethoven’s Symphony No. 7, of which the second movement, Allegretto, gained instant popularity after its premiere in 1813 and remains a crowd favorite. | |
| 09:38 | | IVC 2021 - Semi-finals: Finzi, Duparc a. o.
Tenor Ilja Aksionov (Lithuania, 1996) and pianist Gustas Raudonius (Lithuania, 1996) perform Bart Visman’s Het goud van Vermeer; ‘As I lay in the early sun’ from Gerald Finzi’s Oh fair to see, Op. 13b; Henri Duparc’s Extase; Claude Debussy’s Paysage sentimental, L. 55; ‘Mausfallensprüchlein’ from Hugo Wolf’s Sechs Lieder; ‘Krysolov’ (The pied piper) from Sergei Rachmaninoff’s Six Romances, Op. 38; Franz Schubert’s Rastlose Liebe, Op. 5, No. 1, D. 138; and Alphons Diepenbrock’s De klare dag, RC 4, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands. | |
| 11:58 | | Piano Duets - Mozart, Ravel, Rachmaninoff a. o.
In this splendid concert, exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a program for two pianos comprising works of Wolfgang Amadeus Mozart, Maurice Ravel, Anton Arensky, Sergei Rachmaninoff, and Nikolai Kapustin. Both pianists, laureates of the prestigious International Tchaikovsky Competition in 1994, have received international recognition. They perform regularly in a duo. On the program: Mozart’s Sonata for two pianos in D major, K. 448/375 A; Ravel’s La Valse (arr. for two pianos); Arensky’s Suite No. 1 for two pianos, Op. 15; and Rachmaninoff’s Suite No. 1 (Fantasy) for two pianos, Op. 5. As an encore, the duo performs ‘Romance’ from Rachmaninoff’s Suite No. 2 for two pianos, Op. 17, followed by ‘Overture’ from Nikolai Kapustin’s Sinfonietta, Op. 49. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021. | |
| 13:27 | | Elgar - Enigma Variations
The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, Sir John Eliot Gardiner leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program that includes Pyotr Ilyich Tchaikovsky’s Symphony No. 2 in C minor, Op. 17, ‘Little Russian’, and Edward Elgar’s Variations on an Original Theme, Op. 36, better known as the Enigma Variations. Written in 1872, Tchaikovsky’s Symphony No. 2 bears the nickname ‘Little Russian’, as the composer used folk tunes in his work from Ukraine, then known as ‘Little Russia’. Completed in 1899, Elgar’s Enigma Variations is an orchestral work comprising a theme and fourteen variations, each variation being a musical sketch of one of the composer’s friends. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021. | |
| 14:01 | | Glière, Op. 20 and Shostakovich, Op. 57
The Valerius Ensemble, consisting of Robert Windak (violin), Michael Rein (violin), Eva Šušlíková (viola), Judith Chapman (cello) and Ingo Lylofs (piano) played a concert in Muziekcentrum Enschede on April 15, 2018. On the concert program are the Allegro Moderato from Glières String Quartet No. 2 and the Scherzo, Intermezzo, and Finale from Shostakovich’s Piano Quintet, Op. 57. The work is one of the more popular chamber music works by the composer and a year after its premiere it was awarded the Stalin Prize in 1941. | |
| 18:59 | | Tchaikovsky Symphony 2 & Elgar’s Enigma Variations
The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, Sir John Eliot Gardiner leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program that includes Pyotr Ilyich Tchaikovsky’s Symphony No. 2 in C minor, Op. 17, ‘Little Russian’, and Edward Elgar’s Variations on an Original Theme, Op. 36, better known as the Enigma Variations. Written in 1872, Tchaikovsky’s Symphony No. 2 bears the nickname ‘Little Russian’, as the composer used folk tunes in his work from Ukraine, then known as ‘Little Russia’. Completed in 1899, Elgar’s Enigma Variations is an orchestral work comprising a theme and fourteen variations, each variation being a musical sketch of one of the composer’s friends. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021. | |
| 20:10 | | Villa-Lobos - String Quartet No. 14
Quarteto Radamés Gnattali performs Heitor Villa-Lobos's String Quartet No. 15 at the Palácio do Catete in Rio de Janiero, Brasil. The ensemble was founded in 2006 and consists of Carla Rincón and Francisco Roa (violins), Fernando Thebaldi (viola), and Hugo Pilger (cello). The quartet, which specializes in Brazilian music, focuses on educational activities. Their recording of all of Villa-Lobos string quartets is a major achievement and was very well received by international music critics. Except for his Bachianas brasileiras, the performance of many of the Brazilian's compositions is limited to Latin America. Highly regarded as a composer, conductor and educator in his native country, Villa-Lobos has operas, symphonies, concertos, piano repertoire, choral music, and seventeen string quartets to his credit. | |
| 22:00 | | Tribute to Hans van Manen
Dutch choreographer Hans van Manen (1932) is internationally recognized as one of the grand masters of contemporary ballet. His over 150 ballets all bear his distinct signature, featuring a great clarity in structure, refined simplicity and an aversion to decorative frills. In this tribute to the great choreographer, dancers of the Dutch National Ballet perform three masterpieces from Van Manen’s extensive oeuvre. The program opens with Metaforen (1965), set to Daniel-Jean-Yves Lesur’s Variations for organ and strings—a groundbreaking work featuring one of the first male pas de deux, considered provocative at the time. This is followed by Adagio Hammerklavier (1973), set to the third movement, Adagio sostenuto, of Ludwig van Beethoven’s Hammerklavier Sonata, Op. 106. The program concludes with Frank Bridge Variations (2005), written to Benjamin Britten’s Variations on a Theme of Frank Bridge, Op. 10. This performance was recorded at Opéra Berlioz, Le Corum in Montpellier, France, in 2017. | |
| 23:16 | | Beethoven - Symphony No. 5 in C minor, Op. 67
Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 5 in C minor, Op. 67. Beethoven composed his Symphony No. 5 between 1804 and 1808, completing the work around the same time as his Symphony No. 6, ‘Pastorale’. Both symphonies saw their premieres in a legendary, all-Beethoven concert on December 22, 1808. Symphony No. 5 has become one of the best-known compositions in western classical music. It opens with the famous four-note motif, often interpreted as the musical manifestation of ’fate knocking at the door’. This rhythmic figure returns in various guises in the other three movements of the symphony. This performance was recorded at Opéra Bastille in Paris, France, in 2014. | |
| 23:58 | | Brahms - Violin Sonata No. 2, Op. 100
In this splendid 2013 concert from the Church of Verbier, Switzerland, Greek violinist Leonidas Kavakos and Chinese pianist Yuja Wang join forces to interpret three sonatas by Johannes Brahms. Leonidas Kavakos rose to fame in 1985, when he became the youngest musician to ever win the first price of the prestigious Sibelius Competition. With Yuja Wang, an accomplished artist at young age herself, he forms a masterful duo of chamber music interpretation. The programme features Brahm's Sonata for Piano and Violin, No. 1 in G major, Op. 78, also known as the "Regensonate," Sonata for Piano and Violin, No. 2 in A major, Op. 100, the "Thuner Sonata," a portrait of the Swiss lake of Thun's peaceful scenery. It comes to a fiery and passionate finale with Brahm's Sonata for Piano and Violin, No. 3 in D minor, Op 108. | |
| 06:16 | | IVC 2019 - Final: Schubert, Wolf et al.
Soprano Erika Baikoff (United States, 1994) and pianist Gary Beecher (Ireland, 1993) perform Franz Schubert’s ‘Suleika I, Was bedeutet die Bewegung’, Op. 14, No. 1 (D. 720); Die Blumensprache, Op. 173, No. 5 (D. 519); and, Die Gebüsche, D. 646; ‘Lied vom Winde’ and ‘Der Knabe und das Immlein’ from Hugo Wolf’s Mörike-Lieder; ‘Fleur jetée’ from Gabriel Fauré’s Quatre melodies, Op. 39; ‘C’ from Francis Poulenc’s Deux poèmes de Louis Aragon, FP 122; ‘Les lilas qui avaient fleuri’ from Lili Boulanger’s Clairières dans le ciel; Johanna Bordewijk-Roepman’s ‘Oranje may-lied’; and, ‘Eti letniye nochi’ (These summer nights) from Sergei Rachmaninoff’s Twelve romances, Op. 14, during the final round of the International Vocal Competition 2019 – Lied Duo. This performance was recorded at Theater aan de Parade in ‘s-Hertogenbosch, the Netherlands. | |
| 06:46 | | Bach - The Well-Tempered Clavier No. 22
In 1722, when Johann Sebastian Bach lived in Köthen, Germany, he published a book of preludes and fugues in all 24 major and minor keys. This collection became known as The Well-Tempered Clavier, Book One, BWV 846–869. About two decades later, Bach compiled a second book in Leipzig, which became known as The Well-Tempered Clavier, Book Two, BWV 870-893. Bach intended these pieces for the clavier, which includes the harpsichord, clavichord, and organ. Despite this unclarity, these pieces are regarded as some of the most important works in the history of Western classical music. In this broadcast, Joanna MacGregor plays Preludes and Fugues Nos. 13 to 24 (BWV 858-869) from Book One of Bach’s Well-Tempered Clavier, recorded at the Palau Güell in Barcelona, Spain, in 2010. | |
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