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20.04.2024, 14:40

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07:05

InterMezzo

10:00

Romeo & Juliet by Goyo Montero, Teatro Real, Compañía Nacional De Danza.

11:40

Granada Festival: A Tribute to Manuel de Falla

Orquesta Nacional de España, Josep Pons (conductor) María Toledo (flamenco Singer), Josep Colom (piano) Manuel de Falla (1876-1946) Nights in the Gardens of Spain Love, the Magician (second version, 1925) Interlude and Dance from The Brief Life The Three-Cornered Hat (Suites no. 1 and 2) Granada, The Palace of Charles V, 4 July 2021Orquesta Nacional de España, Josep Pons (conductor) María Toledo (flamenco Singer), Josep Colom (piano) Manuel de Falla (1876-1946) Nights in the Gardens of Spain Love, the Magician (second version, 1925) Interlude and Dance from The Brief Life The Three-Cornered Hat (Suites no. 1 and 2) Granada, The Palace of Charles V, 4 July 2021Orquesta Nacional de España, Josep Pons (conductor) María Toledo (flamenco Singer), Josep Colom (piano) Manuel de Falla (1876-1946) Nights in the Gardens of Spain Love, the Magician (second version, 1925) Interlude and Dance from The Brief Life The Three-Cornered Hat (Suites no. 1 and 2) Granada, The Palace of Charles V, 4 July 2021Orquesta Nacional de España, Josep Pons (conductor) María Toledo (flamenco Singer), Josep Colom (piano) Manuel de Falla (1876-1946) Nights in the Gardens of Spain Love, the Magician (second version, 1925) Interlude and Dance from The Brief Life The Three-Cornered Hat (Suites no. 1 and 2) Granada, The Palace of Charles V, 4 July 2021Orquesta Nacional de España, Josep Pons (conductor) María Toledo (flamenco Singer), Josep Colom (piano) Manuel de Falla (1876-1946) Nights in the Gardens of Spain Love, the Magician (second version, 1925) Interlude and Dance from The Brief Life The Three-Cornered Hat (Suites no. 1 and 2) Granada, The Palace of Charles V, 4 July 2021Orquesta Nacional de España, Josep Pons (conductor) María Toledo (flamenco Singer), Josep Colom (piano) Manuel de Falla (1876-1946) Nights in the Gardens of Spain Love, the Magician (second version, 1925) Interlude and Dance from The Brief Life The Three-Cornered Hat (Suites no. 1 and 2) Granada, The Palace of Charles V, 4 July 2021

13:30

Rinaldo by Haendel at the Festival de Peralada

Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759) Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata' First performance in London, Queen's Theater, February 24, 1711 Concert version Vespres d'Arnadi Orchestra, Dani Espasa (Conductor) Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada Réalisé par Sébastien Bergé Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759) Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata' First performance in London, Queen's Theater, February 24, 1711 Concert version Vespres d'Arnadi Orchestra, Dani Espasa (Conductor) Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada Réalisé par Sébastien Bergé Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759) Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata' First performance in London, Queen's Theater, February 24, 1711 Concert version Vespres d'Arnadi Orchestra, Dani Espasa (Conductor) Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada Réalisé par Sébastien Bergé Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759) Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata' First performance in London, Queen's Theater, February 24, 1711 Concert version Vespres d'Arnadi Orchestra, Dani Espasa (Conductor) Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada Réalisé par Sébastien Bergé Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759) Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata' First performance in London, Queen's Theater, February 24, 1711 Concert version Vespres d'Arnadi Orchestra, Dani Espasa (Conductor) Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada Réalisé par Sébastien Bergé Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759) Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata' First performance in London, Queen's Theater, February 24, 1711 Concert version Vespres d'Arnadi Orchestra, Dani Espasa (Conductor) Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada Réalisé par Sébastien Bergé

15:08

Budapest Festival Orchestra and Iván FIscher: Symphony no 2 by Mahler

Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor "Resurrection" Live from the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor "Resurrection" Live from the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor "Resurrection" Live from the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor "Resurrection" Live from the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor "Resurrection" Live from the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor "Resurrection" Live from the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas

16:39

InterMezzo

17:00

Oedipe by Enescu at the Opéra national de Paris

20:00

InterMezzo

20:25

Javier Perianes in Granada: Falla, Debussy, Albéniz

21:30

Simon Rattle and the Berliner Philharmoniker : Mahler's Symphony No.6

Berliner Philharmoniker, Simon Rattle (conductor) Gustav Mahler (1860 - 1911) Symphony No. 6 in A minor Recorded on June 20, 2018, at the Philharmonie, Berlin TV Director, Michael BeyerBerliner Philharmoniker, Simon Rattle (conductor) Gustav Mahler (1860 - 1911) Symphony No. 6 in A minor Recorded on June 20, 2018, at the Philharmonie, Berlin TV Director, Michael BeyerBerliner Philharmoniker, Simon Rattle (conductor) Gustav Mahler (1860 - 1911) Symphony No. 6 in A minor Recorded on June 20, 2018, at the Philharmonie, Berlin TV Director, Michael BeyerBerliner Philharmoniker, Simon Rattle (conductor) Gustav Mahler (1860 - 1911) Symphony No. 6 in A minor Recorded on June 20, 2018, at the Philharmonie, Berlin TV Director, Michael BeyerBerliner Philharmoniker, Simon Rattle (conductor) Gustav Mahler (1860 - 1911) Symphony No. 6 in A minor Recorded on June 20, 2018, at the Philharmonie, Berlin TV Director, Michael BeyerBerliner Philharmoniker, Simon Rattle (conductor) Gustav Mahler (1860 - 1911) Symphony No. 6 in A minor Recorded on June 20, 2018, at the Philharmonie, Berlin TV Director, Michael Beyer

23:05

Sabine Devieilhe and Les Siècles at the Philharmonie de Paris

00:34

Les Siècles and François-Xavier Roth : Beethoven's Symphonies No.5 & 7

Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020

02:00

El Comité - Jazz in Marciac

El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que !? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director, El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que !? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director, El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que !? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director, El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que !? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director, El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que !? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director,

03:00

Lucky Peterson, tribute to Jimmy Smith - Banlieues Bleues

Lucky Peterson, tribute to Jimmy Smith Lucky Peterson (organ, lyric) Nicolas Fomer (trumpet) Kekyn Crapp (guitar) Ahmad Compaoré (drums) Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival TV Director, Guillaume DeroLucky Peterson, tribute to Jimmy Smith Lucky Peterson (organ, lyric) Nicolas Fomer (trumpet) Kekyn Crapp (guitar) Ahmad Compaoré (drums) Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival TV Director, Guillaume DeroLucky Peterson, tribute to Jimmy Smith Lucky Peterson (organ, lyric) Nicolas Fomer (trumpet) Kekyn Crapp (guitar) Ahmad Compaoré (drums) Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival TV Director, Guillaume DeroLucky Peterson, tribute to Jimmy Smith Lucky Peterson (organ, lyric) Nicolas Fomer (trumpet) Kekyn Crapp (guitar) Ahmad Compaoré (drums) Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival TV Director, Guillaume DeroLucky Peterson, tribute to Jimmy Smith Lucky Peterson (organ, lyric) Nicolas Fomer (trumpet) Kekyn Crapp (guitar) Ahmad Compaoré (drums) Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival TV Director, Guillaume Dero

03:52

Ivan Paduart Trio - Club Nubia

Ivan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, SîlaIvan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, SîlaIvan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, SîlaIvan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, SîlaIvan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, Sîla

04:45

Ballake Sissoko & Vincent Segal - Jazz à Vienne

Ballake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from "Musique de Nuit" (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien RaymondBallake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from "Musique de Nuit" (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien RaymondBallake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from "Musique de Nuit" (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien RaymondBallake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from "Musique de Nuit" (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien RaymondBallake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from "Musique de Nuit" (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien Raymond

05:45

Eric Serra - Club Nubia

Eric Serra Recorded on June 15, 2019 at the Nubia Club TV Director, SîlaEric Serra Recorded on June 15, 2019 at the Nubia Club TV Director, SîlaEric Serra Recorded on June 15, 2019 at the Nubia Club TV Director, SîlaEric Serra Recorded on June 15, 2019 at the Nubia Club TV Director, SîlaEric Serra Recorded on June 15, 2019 at the Nubia Club TV Director, Sîla

06:36

David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.