Program TV: Luni, 11.12.2017 | Mezzo | | | | | | | | | | Acum la TV |
Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
| 09:30 | | David Parsons Dance Company - Teatro Malibran, La Fenice
David Parsons Dance Company
Choreographer, David Parsons
Lights, Howell Bimkley
The Envelope (1986)
Music, Gioachino Rossini
Costume, Judy Wirkula
Hand Dance (2003)
Original music , Kenji Bunch
Costume, David Parsons
Finding center (2015)
Music, Thomas Newman
Visual Art, Rita Blitt
Costume, Natomi Luppescu
Caught (1982)
Music, Robert Fripp 'Let the Power fall'
Costume, Judy Wirkula
Lighting concept, David Parsons
In the End (2005)
Music, Dave Matthews Band
Costume, Mia McSwain
Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice
TV Director, Yan Proefrock | |
| 00:40 | | Bojan Z - Like a Jazz Machine
Bojan Z
Bojan Z, piano, fender rhodes
Thomas Bramerie, bass
Martijn Vink, drums
Pantelis Stoikos, trumpet
Claudio Puntin, clarinet
Paolo Fresu, trumpet
Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn.
Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg
TV Director, Samuel Thiebaut | |
| 03:20 | | Jamie Cullum at Jazz à Vienne
In 2011, with classic jazz in bright new colours and popular dance tunes, the brilliant British singer and pianist's fifth album was an illustration of his eclectic taste. The Rocheford-born musician admits to a variety of influences, already apparent in his early career at the turn of the century. His repertoire ranges from standards by Gershwin and contemporary trip-hop influences, combining them with his own sense of harmony and moving from one to the other at breakneck speed. After the worldwide success of 'Catching Tales' in 2005, Cullum took a break for a few years. He nevertheless collaborated with Clint Eastwood on the soundtrack to 'Gran Torino'. In 2012, he appeared on French television next to singer Sophie Maurin in the charming pop song 'Far Away'. His sixth album, 'Momentum', was released last spring. Jamie Cullum remains true to himself, at once a rock star and a crooner, with his unmistakable English accent. This amazing stage performer is back in Vienna (he was here in 2011) with an orchestra more like a rock band: 'It's the first time I'm older than the other musicians', he says. Thirteen years after his sensational entrance on the jazz (pop, rock ?) scene, Jamie is back with a vengeance. | |
| 04:15 | | Extended Hanoi Duo - Like a Jazz Machine
Extended Hanoi Duo
Nguyên Lê, electric and accoustic guitar
Ngo Hong Quang, traditional instruments, voice
Mieko Miyazaki, koto
Paolo Fresu, trumpet
Edouard Prabhu, tabals
Alex Tran, percussions
Hao Nhiem Pham, flute
The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern.
Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg
TV Director, Samuel Thiebaut | |
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