Program TV: Luni, 09.03.2026 | Stingray Djazz  | | |  | | | | | | | Acum la TV |
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 | 07:23 | | On a Slow Boat to China
Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums). | |
| 08:00 | | Ella Fitzgerald in Brussels: The American Songbook
‘Ella Fitzgerald: Live in '57’ features ‘The First Lady Of Song’ in a distinct performance. It's the earliest known complete concert of Ella to be captured on film. Shot in Belgium, this 1957 concert sees her performing with jazz greats Ray Brown, Herb Ellis, Jo Jones and the legendary Oscar Peterson on classics such as ‘Lullaby Of Birdland’ and ‘It Don’t Mean A Thing (If It Ain’t Got That Swing)’. Although she wanted to be a dancer at first, Ella Fitzgerald already listened to recordings of Louis Armstrong, Bing Crosby and The Boswell Sisters at an early age. After her debut at an amateur talent show in 1934, Ella joined Chick Webb’s Orchestra with which she recorded several hits; after Webb died, she became the leader of the orchestra. In the late 1940s, Ella Fitzgerald became known as the ‘First Lady of Song’, with her wide vocal range of three octaves. The American jazz singer was particularly appreciated for her pure tone, intonation and phrasing, and unparalleled improvisational abilities. In a career that spanned close to 60 years, Fitzgerald sold 40 million albums and won 13 Grammy Awards, mainly for her definitive interpretations of the Great American Songbook. | |
| 11:14 | | Brussels Jazz Orchestra: Changing Faces
This might come unexpected, but the Brussels Jazz Orchestra (BJO) is not the kind of jazz orchestra that sticks to standards. They prefer to achieve the highest level by composing original music, creating unique arrangements, and playing inventively as well as passionately. In fact, it really is jazz with a dynamic orchestral sound, with a classic strength in which each musician is also a brilliant soloist. Call it an ‘orchestrated passion for jazz’ that incites BJO to create world-class music. Founded in 1993 by Frank Vaganée, Serge Plume and Marc Godfroid, the Brussels Jazz Orchestra is recognised and has been subsidised by the Flemish Government since. Brussels Jazz Orchestra is orchestra in residence at Flagey in Brussels. During this project the BJO performs with David Linx. The Belgian jazz singer will resort to any idiom, any language, any time signature. Occasionally he seems to dispense with bar lines altogether, or he will go beyond lyrics, as he abandons his own words for some free-wheeling scat. | |
| 15:00 | | The Brothers Four: Live in Comblain-la-Tour
Pioneering folk/pop quartet The Brothers Four was formed in 1957 by University of Washington fraternity brothers Bob Flick (upright bass, vocals), Mike Kirkland (guitar, banjo, vocals), John Paine (guitar, vocals) and Richard Foley (guitar, vocals). Their consistently smooth, warm, and lush harmonies set The Brothers Four apart from others. They turned professional as a result of a practical joke. A member of a competing fraternity arranged for a woman to telephone the band members, identifying herself as the secretary to the manager of Seattle's Colony Club and inviting the quartet down for an audition. As soon as The Brothers Four got there, they found that there was no invitation or any audition scheduled – but since they were there anyway, the club manager asked them to play a few songs and ended up hiring them. A few years later, The Brothers Four appeared at a short-lived Belgian jazz festival in Comblain-la-Tour, where they sang the entire book of American Folk Songs. | |
| 17:34 | | Kurhaus Scheveningen: Beets & Rosenwinkel
The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music. | |
| 22:00 | | Episode 6: Herbie Hancock - Jazz Greats | Acum la TV
American keyboard player and bandleader Herbie Hancock (1940) achieved success as an incisive, harmonically provocative jazz pianist in the 1960s, then went on to gain wide popularity as a leader of electric jazz-rock groups. One of these, Hancock’s band The Headhunters, ushered in a new era of jazz that appealed to a far wider audience, making jazz listeners out of rhythm and blues fans, and vice versa. In 1974, The Headhunters appeared on German television, playing Palm Grease, Sly, Butterfly, Spank-A-Lee, and Chameleon. Hancock (keys) is joined by Bennie Maupin (saxophones), Paul Jackson (electric bass), Mike Clark (drums) and Bill Summer (percussion). | |
| 23:12 | | Jazz Open Stuttgart: Blue Note All Stars
Playing together for the first time, this concert features the "young lions" of the late 1990s, the cream of contemporary jazz musicians. As a team of individualists, they mix contemporary and traditional jazz in a whole new way, playing well-known standards as well as their own compositions. With Tim Hagans on trumpet, Greg Osby on alto sax, Javon Jackson on tenor sax, Kevin Hays on piano, Esslet Esslet on double bass, and Bill Stewart on drums, this is an amazing line up. Over the years, they have each established themselves as forward-thinking and inventive band leaders, composers, and studio musicians, astonishing audiences around the world with their creativity and technical versatility. | |
| 02:07 | | Les McCann: Live in New Orleans
Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James. | |
| 03:35 | | Bayerischer Hof Night Club: Maria João Quartet
In this recording, the Portuguese singer Maria João makes her appearance at the Bayerischer Hof Night Club during the 1999 Münchner Klaviersommer. She is accompanied by Marcio Doctor (percussion), Miroslav Tadic (guitar), and her long-standing partner, the brilliant pianist Mário Laginha. Maria is known for her vocal flexibility and improvisational skills. While normally considered a jazz artist, her music incorporates a mix of folk, ethnic music, modern jazz, avant-garde, electronica, symphonic and other genres. In this intimate venue, João's vocally and physically dynamic performance creates an electrifying atmosphere. | |
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