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02.01.2026, 22:29
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Adauga in favorite pe pozitia: 123


22:00Verdi - Nabucco | Acum la TV
Israeli-born conductor Daniel Oren leads the Orchestra of the Arena di Verona in a magnificent interpretation of Giuseppe Verdi's Nabucco. Verdi’s third opera – but first great popular success – was created at the Teatro alla Scala in Milan in 1842, in the epicentre of the “Risorgimento” and the capital of Italian nationalism, at a time where the supporters of Italian independence from Austrian occupation were starting to make their voices heard. The "Chorus of the Hebrew slaves", pivotal point in the third act where the Jews, exiled from Babylone by Nabuchodonosor, mourn their country, "So Beautiful and Lost", immediately resonated with the Italian nationalists and has ever since been a symbol of Italian national identity. Daniel Oren, a true connoisseur of Verdi’s musical language as well as a regular guest at the Arena di Verona, conducts with great panache this "lyrical epic" that holds such a special place in the heart of all Italians. This interpretation was recorded 2017 and stars George Gagnidze, Susanna Branchini, Nino Surguladze, Rubens Pelizzari, Stanislav Trofimov and more.
 
00:18Chopin - Ballade No. 1, Op. 23
Italian pianist Roberto Prosseda performs Frédéric Chopin's technically challenging Ballade No. 4 in F minor, Op. 52. Completed in 1842, this piece is celebrated as a masterpiece within the Romantic piano repertoire, renowned for its intricate structure and profound emotional depth. This performance was recorded at the stunning baroque palace Villa Contarini in Piazzola sul Brenta, Italy, in 2006.
 
00:30Bach - Cello Suite No. 1 in G major, BWV 1007
At St. Bartholomew Church in Dornheim, Germany, where composer Johann Sebastian Bach married his first wife Maria Barbara, renowned Dutch cellist Anner Bijlsma performs the composer's Cello Suite No. 1 in G major, BWV 1007. It is likely Bach wrote his collection of six Suites for unaccompanied cello during the years 1717-1723. His cello suites are an essential part of the cello repertoire, highlighting the instrument's manifold polyphonic possibilities. As customary in a Baroque suite, each movement is based on a dance type. Bach's Suite No. 1 opens with a prelude, and is followed by six dance movements, divided over five sections: an allemande, a courante, a sarabande, two minuets, and a final gigue.
 
01:00Donizetti - L’elisir d’amore
Riccardo Frizza conducts the Orchestra Gli Originali and the Coro Donizetti Opera in a performance of Geatano Donizetti’s comic opera L’elisir d’amore (‘The Elixer of Love’, 1832). L’elisir d’amore is perhaps the most famous work in Donizetti’s extensive repertoire. It tells the story of the poor peasant Nemorino who is in love with the beautiful landowner Adina. After hearing about the legend of Tristan and Isolde, the desperate Nemorino wonders if a love potion would help him to gain Adina’s love. He seeks help of the travelling quack Dr. Dulcamara, from whom he purchases a bottle of magic elixir. Directed by Frederic Wake-Walker, this 2021 production is unique as it features the complete, original score as reconstructed by Alberto Zedda based on Donizetti’s autographs. In addition, the orchestra plays on historical instruments to recreate the sound of Donizetti’s orchestra. Among the soloists are Caterina Sala (Adina), Javier Camarena (Nemorino), Florian Sempey (Belcore), Roberto Frontali (Dulcamara), Anaïs Mejías (Giannetta), and Manuel Ferreira (Master of ceremonies). This performance was part of the Donizetti Opera Festival, recorded at Teatro Donizetti in Bergamo, Italy, in 2021.
 
03:24Waldbühne 1993: Russian Night
Every year the Berliner Philharmoniker gives an outstanding concert at the Waldbühne. This amphitheatre in Berlin can host 22,000 people and is used for many events such as film showings, boxing matches and concerts. In 1993 the Berliner Philharmoniker, under the baton of the Japanese conductor Seiji Ozawa, performed a Russian program. The concert starts with Russian Easter Festival Overture, Op. 36 by Nikolai Rimsky-Korsakov, followed by Tchaikovsky' world-famous Nutcracker Suite, Overture 1812 and the Elegy from the Serenade for Strings. This is followed by Borodin’s Polovtsian Dance No. 17, Stravinsky’s Firebird and Aram Khachaturian’ Sabre Dance. The program closes with the Radetzky March by Johann Strauss Sr.
 
05:03The Pianists Keys
This documentary by Christoph Keller follows various participants and teachers participating in the International Summer Piano Academy.
 
05:44Dvořák - Symphony No. 7 in D minor, Op. 70
Maestro Iván Fischer leads the Orchestra del Maggio Musicale Fiorentino in a performance of Antonín Dvořák's Symphony No. 7 in D minor, Op. 70. The work was completed in March 1885 and premiered one month later in London conducted by the composer himself. With its dramatic and dark style, this symphony stands in stark contrast to the predominantly optimistic tone of Dvořák’s broader oeuvre. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, on January 29, 2021.
 
06:26Telemann - Jesus liegt in letzten Zügen, TWV 1:983
The film Jaroussky sings Bach & Telemann is a portrait of a very special vocalist, and of two exceptional composers. When Philippe Jaroussky - whose angelic voice seems almost timeless, not belonging to any one epoque or decade - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished over the centuries. The works performed in this film are Telemann's Jesus liegt in letzten Zügen and Sinfonia from Brockes-Passion; Der am Ölberg zagende Jesus, and Bach's Sinfonia from Ich hatte viel Bekümmernis and Ich habe genug.
 
06:42Liszt - Totentanz, S. 525
Russian pianist Dina Ivanova performs Franz Liszt’s Totentanz, S. 525, during the Solo finals of the 11th International Franz Liszt Piano Competition, held at TivoliVredenburg in Utrecht, the Netherlands. Totentanz (Dance of Death) is one of Liszt’s many works that reflect the Romantic composer’s fascination with death. The piece is a series of variations on the macabre Gregorian Dies irae theme.
 


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