Program TV: Joi, 01.01.2026 | Stingray Classica  | | |  | | | | | | | Acum la TV |
| Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
 | 08:59 | | IVC 2021 - Semi-finals: Ives, Brahms a. o.
Bass-baritone Matthias Hoffmann (Austria, 1991) and pianist Lisa Ochsendorf (Germany, 1991) perform ‘A. Very pleasant’ from Charles Ives’s song ‘Memories’; ‘Nachtwanderer’ from Hans Erich Pfitzner’s Fünf Lieder, Op. 7; ‘Nachts’ from Hans Sommer’s Zehn Lieder, Op. 9; ‘Da unten im Tale’ from Johannes Brahms’s Deutsche Volkslieder, WoO. 33; Henri Duparc’s Chanson triste; Bart Visman’s Vermeer's gold; ‘La maîtresse volage’ from Francis Poulenc’s Chansons gaillardes, FP 42; Franz Schubert’s Gruppe aus dem Tartarus, Op. 24, No. 1, D. 583; ‘Na smert’ chizhika’ (On the death of a linnet) from Sergei Rachmaninoff’s Twelve Romances, Op. 21; and ‘Sprich, Scheherazade’ from Moritz Eggert’s Neue Dichter Lieben, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands. | |
| 09:23 | | Documentary: Gianandrea Noseda
Although the great Italian composer Giuseppe Verdi applied unsuccessfully to study at the Milan Conservatory, this renowned college of music was eventually named after him. Today, the ‘Conservatorio Giuseppe Verdi’ counts numerous successful musicians among its alumni: from Giacomo Puccini, Alfredo Catalani, Claudio Abbado, Riccardo Chailly, Luigi Einaudi and Daniele Gatti, to Gianandrea Noseda. The acclaimed conductor Noseda (*1964) is one of the most important conductors of his generation. Recently, he taught a conducting masterclass at his alma mater for promising students from all over the world. For three days, Noseda joined forces with a hand-picked group of students to work on a varied concert programme. This documentary shows you these young, talented musicians rehearse compositions by Mozart, Tchaikovsky, and Stravinsky under the enthusiastic guidance of Maestro Gianandrea Noseda himself. | |
| 09:59 | | Liszt - Due Poemi Sinfonici
Franz Liszt (1811 - 1886) composed 13 symphonic poems, largely inspired by literary texts. The composer himself wrote piano duet arrangements for these pieces, showcasing his incredible ability of imitating a full orchestra on the piano. Liszt, one of the 19th century’s most important piano virtuosos, strongly influenced the further development of piano music. The Romantic period was the era of the virtuoso pianists: the piano was the instrument of choice for countless musicians and listeners alike. No house of standing could do without a piano: it was a status symbol. Piano music was played in concert halls, palaces, salons, churches and public houses alike. Liszt’s symphonic poem no. 4, ‘Orpheus’, breathes a meditative atmosphere. No. 3, ‘Les Préludes’, is best known in its symphonic version – the piano version presented here is rarely heard. The work dates back to the period 1848 – 1854 and was initially meant to serve as introduction to a choral cycle to be based on the texts of the poet Joseph Autran, ‘Les quatre éléments’: earth, air, water and fire. In this broadcast, the Italian piano duo of Marco Sollini and Salvatore Barbatano performs these Liszt piano works. These recordings were made at the beautiful 12th century church of San Marco in the small but picturesque village of Ponzano di Fermo, as part of the 2015 edition of the annual, itinerant festival ‘Armonie della sera’ in the Italian province of Le Marche. | |
| 11:31 | | Fomin plays Schumann, Beethoven and Tchaikovsky
After a successful inaugural recital in 2016, pianist Misha Fomin returns to the stage in the intimate hall of the Concertgebouw Amsterdam on November 11, 2017. Celebrated by the local and international press for his natural virtuosity, the rich texture of his play and his great musical intelligence, Fomin interprets Fantasia, op. 17 by Schumann, Piano Sonata No. 30, op. 109 of Beethoven, as well as works by Tchaikovsky, including the plays "May", "June" and "October" from the Seasons, op. 37b, and a Liszt transcription of the "Polonaise", taken from the opera Eugene Onegin. | |
| 16:02 | | A Mozart Celebration from Berlin
Performed in the grandeur of Berlin's foremost opera house, the Staatsoper Unter den Linden, the Mozart Celebration is dedicated to the life's work of Wolfgang Amadeus Mozart. This one-time-only gala concert features exuberant Mozart pieces, performed by some of the world’s leading singers and musicians. Conductor Julien Salemkour leads these beautiful performances played by the Staatskapelle Berlin. The star solists are Nicolaj Znaider (violin), Thomas Quasthoff (baritone) and Sylvia Schwartz (soprano). The program features Ouverture from la Clemenza di Tito, 'Violin Concerto No. 5', the song 'Chi sa, chi sa, qual sia', Piano Concerto No. 23, the aria 'Per questa bella mano', Papageno's Aria from the Magic Flute, the duet 'Papageno-Papagena' from The Magic Flute, and Symphony No. 40. | |
| 22:00 | | Balanchine
In this compilation of enchanting choreographies by George Balanchine, the New York City Ballet pays tribute to the man who founded the dance company in 1948 together with Lincoln Kirstein. Featured are "Walpurgisnacht Ballet", choreographed for a 1975 production of Faust by the Théâtre National de l’Opéra, "Sonatine", which was presented as the opening ballet of the New York City Ballet Ravel Festival during the 1975 Spring Season, "La Valse", created by Balanchine in 1951 to compositions by Maurice Ravel, and "Symphony in C (Le Palais de Christal)" to the music of George Bizet's rediscovered piece. For the latter, Balanchine required only two weeks to choreograph it for the Paris Opera Ballet in 1947, where he was serving as a guest ballet master. This compilation, recorded 2016 marks the return of the New York City Ballet to the Théâtre du Châtelet, Paris, after eight years of absence. | |
| 04:59 |  | Beethoven - Symphony No. 3 in E-flat major, Op. 55
Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances present Ludwig van Beethoven’s Symphony No. 3 in E-flat major, Op. 55, ‘Eroica’. Admiring the ideals of the French Revolution, Beethoven initially dedicated the symphony to Napoleon Bonaparte. However, upon hearing that Napoleon had crowned himself Emperor, Beethoven violently erased Napoleon’s name from the manuscript. Composed in 1803-04 in a style that breaks with tradition, the symphony is regarded as a turning point in Beethoven’s oeuvre as well as Western music history. Symphony No. 3 is longer in duration than any previous symphony. The work opens with two powerful chords that replace the more customary long introduction. The lower strings then introduce the main theme. The slow second movement is a Funeral March, followed by a quick Scherzo. The fourth and final movement is dominated by a theme from Beethoven’s ballet music for ‘The Creatures of Prometheus’. This performance was recorded at Opéra de Dijon, France, in 2012. | |
| 06:13 | | PIAM - Semi-final II: Mozart and Bartók
Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Ying Li (China, 1997) performs Wolfgang Amadeus Mozart’s Sonata No. 13 in B-flat major, K. 333, and Béla Bartók’s Sonata, BB 88, Sz.80. This performance was recorded at Nuovo Teatro Ariberto in Milan, in June 2021. | |
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