Program TV: Luni, 09.02.2026 | Mezzo  | | |  | | | | | | | Acum la TV |
| Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
 | 21:30 | | André Midani: An Insider's Story of Brazilian Music
André Midani: An Insider's Story of Brazilian Music
Based on his autobiography, this unique session of intimate conversations reveals the key events in the history of Brazilian music through the eyes of André Midani, who helped shape the Brazilian music scene like no other from the 1950s to the new millennium. With Gilberto Gil, Caetano Veloso, Marisa Monte, Chico Buarque, Frejat, Jorge Ben Jor, Erasmo Carlos, Boni, Fernanda Torres, Washington Olivetto, Carlos Lyra, Miúcha, Roberto Menescal, Baby Brazil, Dadi, Liminha, Nelson Motta, Carlos Diegues, Fernanda Montenegro - and many others
Directed by Andrucha Waddington, Mini Kerti
2015 | |
| 23:24 | | Aida Garifullina, Maciej Pikulski: Romantic arias and songs
Aida Garifullina (Soprano), Maciej Pikulski (Piano)
Gerónimo Giménez/Manuel Nieto
El Barbero de Sevilla, II : ‘Me llaman la primorosa’
Carlos Gardel
Por una cabeza
Frédéric Chopin
Trois valses, op. 64: no. 2 in C sharp minor
Jules Massenet
Élégie
Georges Bizet
Carmen : ‘L'amour est un oiseau rebelle’
Léo Delibes
Les Filles de Cadix
Franz Schubert/Franz Liszt
Ständchen, S. 560/7
Antonín Dvořák
Gypsy Songs, Op. 55 : IV. Když mne stará matka zpívat učívala (Songs My Mother Taught Me)
Rusalka: ‘Mĕsičku na nebi hlubokém’ (Song to the Moon)
Nikolai Rimsky-Korsakov
The Golden Cockerel: The Queen of Shemakha’s aria (Hymn to the Sun)
Sergei Rachmaninov
Zdes' khorosho, Op. 21, No. 7
Prelude, Op. 3, No. 2
Nikolai Rimsky-Korsakov
Sadko, Scene IV: Song of India
Pyotr Ilyich Tchaikovsky
Iolanta: Iolanta's Arioso, ‘Atchevo eta prezhde ne znala?’
Six Romances, Op. 63 : 6. Serenada
Giuseppe Verdi/Franz Liszt
Rigoletto, Concert Paraphrase for Piano, S. 434
Franz Schubert
Ave Maria, D. 839
Giacomo Puccini
Tosca, II: Vissi d'arte
Gianni Schicchi : ‘O mio babbino caro’
Ruggero Leoncavallo
Mattinata
Évian, La Grange au Lac, 3 July 2023
Directed by Jean-Pierre Loisil | |
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