Program TV: Vineri, 06.12.2019 | Mezzo | | | | | | | | | | Acum la TV |
Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
| 10:30 | | Stephane Kerecki - French Touch - Like a jazz machine
Stéphane Kerecki - French Touch
Stéphane Kerecki, double bass
Julien Lourau, saxophone
Fabrice Moreau, drums
Jozef Dumoulin, piano, Fender Rhodes
Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide.
Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg.
TV Director, Samuel Thiebaut | |
| 13:30 | | Wozzeck by Alban Berg at De Nationale Opera, Amsterdam
Wozzeck, opera in three acts by Alban Berg (1885 - 1935)
Libretto by Alban Berg after the unfinished play by Georg Büchner 'Woyzeck'
First performance in Berlin, Staatsoper, December 14, 1925
Netherlands Philharmonic Orchestra, Marc Albrecht (Conductor)
Dutch National Opera Chorus, Nieuw Amsterdams Kinderkoor
Krzysztof Warlikowski (Stage Director)
Małgorzata Szczęśniak (Sets & Costumes), Felice Ross (Lighting), Denis Guéguin (Video), Claude Bardouil (Choreography), Christian Longchamp (Dramaturgy)
Christopher Maltman (Wozzeck)
Eva-Maria Westbroek (Marie)
Frank van Aken (Tambourmajor)
Jason Bridges (Andres)
Marcel Beekman (Hauptmann/ Der Narr)
Sir Willard White (Doktor)
Ursula Hesse von den Steinen (Margret)
Recorded on March 23 & April 6 at De Nationale Opera, Amsterdam
Directed by François Roussillon | |
| 17:30 | | Hedda Gabler, Norwegian National Ballet
Hedda Gabler
Upon Henrik Ibsen's work
Norwegian National Ballet
Marit Moum Aune, choreography and staging
Kaloyan Boyadjive, Group choreography
Nils Petter Molvær, music
Even Børsum, sets design
Ingrid Nylander, costume design
Kristin Bredal , lighting design
With dancers from
The Norwegian national ballet
The Norwegian national ballet school
And
Grete Sofie Borud Nybakken (Hedda Gabler)
Silas Henriksen (Eilert Løvborg)
Philip Currell (Jørgen Tesman)
Eugenie Skilnand (Thea Elvsted)
Shane Urton (Assessorr Brack)
Samantha Lynch (Aunt Julie)
Klara Mårtensson (Diana)
Kristian Alm (Général Gablerl, Hedda's father)
Erle Østraat (Hedda Gabler child)
Helle Flood (Thea Elvsted , child)
Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet
TV Director, Tommy Pascal | |
| 00:38 | | Sidney Bechet, Dizzy Gillespie, Stan Getz... Jazz Festival De Cannes 1958 - Jazz Archive
Vic Dickenson (trombone), Sidney Bechet (clarinet), Joe Turner (piano), Coleman Hawkins (tenor saxophone), Roy Eldridge (drums), Dizzy Gillespie (trumpet), Teddy Buckner (trumpet), Don Byas (tenor saxophone), Claude Gousset (trombone), Michel de Villers (baritone saxophone), Michel Hausser (vibes), Henri Renaud (piano), Dante Agostini (drums), Albert Nicholas (clarinet), Arvell Shaw (bass), Sammy Price(piano), Bobby Jaspar(flute), Donald Byrd (trumpet), Walter Davis (piano), Stan Getz (tenor saxophone), Guy Lafitte (tenor saxophone), Barney Wilen (tenor saxophone) and Kenny Clarke (drums).
Works:
- 'Perdido'(Don Byas, Teddy Buckner, Claude Gousset, Michel De Villers, Sammy Price, Arvell Shaw and J. C. Heard )
- 'Blues pour the chat' (Michel Hausser, Ricardo Galeazzi, Dante Agostini and Henri Renaud)
- 'Rose rouge' (Albert Nicholas, Joe Turner, Arvell Shaw and J.C. Heard)
- 'Sweet Georgia Brown' (Sidney Bechet, Teddy Buckner, Sammy Price, Vic Dickenson and Roy Eldridge)
- Thème non identifié (Bobby Jaspar, Donald Byrd, Walter Davis, Doug Watkins and Art Taylor)
- 'On the Alamo' (Dizzy Gillespie and Kenny Clarke)
- The 'Indiana' theme with the improvisations of 5 saxophone players: Stan Getz, Guy Lafitte, Barney Wilen, Don Byas and Coleman Hawkins.
Recorded at the Festival de Jazz de Cannes - Broadcast ORTF on 22/11/1958 - TV Director : Jean Christophe Averty | |
| 01:30 | | Michel Meis Quartet - Festival Like a jazz machine
Michel Meis 4tet
Michel Meis, drums+ compositions
Cédric Hanriot, piano
Stephan Goldbach, double bass
Alisa Klein, trombone
Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fête de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016.
Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode.
This album will be relased on January 2019 , on Double Moon Records.
Recorded on May 11, 2018 at the Grand Auditoire, Like a Jazz machine festival, Dudalange, Luxembourg
TV Director, Samuel Thiebaut | |
| 02:30 | | João Bosco - Malta Jazz Festival
João Bosco, lead, guitar/vocals
Ricardo Silveira, guitar
Guto Wirtti, bass
Kiko Freitas, drums
João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival.
Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year.
Recorded on July 21, 2018 at the Malta Jazz Festival
TV Director, Amos Rozenberg | |
| 03:55 | | Chlorine Free feat. Soweto Kinch + NYA
Chlorine Free feat. Soweto Kinch + NYA
Virgile Lorach, bass
David Monet, keyboard
Romain Clerc-Renaud, Fender Rhodes
Maxime Zampieri, drums
Yann Cley, flute
Benoît Giffard, trombone
Michel Escande, percussion, machines
Soweto Kinch, saxophones
Nya, lyric
Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic
17 pistes qui sont autant de pépites que l'on redécouvre avec le même émerveillement à chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam
Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particulière qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisième opus, entre hymne écolo et appel à prendre en main sa destinée.
Recorded on May 11, 2018 at the Grand Auditoire, Like a Jazz machine festival, Dudalange, Luxembourg
TV Director, Samuel Thiebautt | |
| 06:00 | | Stephane Kerecki - French Touch - Like a jazz machine
Stéphane Kerecki - French Touch
Stéphane Kerecki, double bass
Julien Lourau, saxophone
Fabrice Moreau, drums
Jozef Dumoulin, piano, Fender Rhodes
Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide.
Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg.
TV Director, Samuel Thiebaut | |
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