Program TV: Duminica, 29.05.2022 | Mezzo Live HD  | | |  | | | | | | | Acum la TV |
| Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
 | 10:30 | | Idoménée by Campra at the Opéra de Lille
Idoménée
‘Tragédie en musique’ by André Campra (1660–1744)
Libretto by Antoine Danchet
First peformance in Paris, Opéra, 12 January 1712
1731 version
Le Concert d’Astrée, Emmanuelle Haïm (conductor)
Compagnie Dantzaz
Àlex Ollé | La Fura dels Baus (Stage direction)
Alfons Flores (sets), Lluc Castells (Costumes), Urs Schönebaum (lighting), Emmanuel Carlier (Video), Martin Harriague (Choreography)
Eva Zaïcik (Vénus)
Tassis Christoyannis (Idoménée)
Samuel Boden (Idamante)
Hélène Carpentier (Électre)
Lucy Page (Ilione)
Frédéric Caton (Arbas | Protée)
Victor Sicard (La Jalousie | Némésis)
Yoann Dubruque (Éole | Neptune)
Enguerrand de Hys (Arcas)
Cécile Dalmon (Une Crétoise, Deuxième Bergère)
Emmanuelle Ifrah (Une Troyenne)
Cécile Granger (Première Bergère)
Lille, Opera, 2 October 2021 | |
| 18:00 | | Meyer, Writing Ground by Alonzo King - Maison de la Danse de Lyon
MEYER and WRITING GROUND
Two choreographies by Alonzo King
Lines Ballet
MEYER
Original music by Edgar Meyer
Lights by Axel Morgenthaler
Costumes by Robert Rosenwasser
WRITING GROUND
Sacred music from the Jewish, Christian, Muslim and Tibetan traditions
Lights by Axel Morgenthaler
Costumes and sets by Robert Rosenwasser
Alonzo King founded the Alonzo King Lines Ballet in 1982.
31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure.
Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement.
Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying.
Recorded at the Maison de la Danse in Lyon, 29 November 2013
Directed by Denis Caïozzi | |
| 19:30 | | New York City Ballet in Paris - Théâtre du Châtelet
New York City Ballet in Paris
Walpurgisnacht Ballet
Choreography, George Balanchine
© The George Balanchine Trust
Music, Charles Gounod | extrait de Faust (1859, ballet ajouté en 1869)
Costume, Karinska
Lights, Mark Stanley
Sonatine
Choreography, George Balanchine
© The George Balanchine Trust
Music, Maurice Ravel (1906)
Lights, Mark Stanley
La Valse
Choreography, George Balanchine
© The George Balanchine Trust
Music, Maurice Ravel | Valses Nobles et Sentimentales (1911, orchestré en 1912), La Valse (1920)
Costume, Karinska
Sets, Jean Rosenthal
Lights, Mark Stanley
Symphony in C (Le Palais de Cristal)
Choreography, George Balanchine
© School of America Ballet. Inc.
Music, Georges Bizet | Symphony in C major (1855)
Costume, Marc Happel
Lights, Mark Stanley
Ballet Master, Peter Martins
Prométhée Orchestra
Conductor, Daniel Capps
Recorded on juilly 2016 at the Théâtre du Châtelet
TV Direction, Vincent Bataillon | |
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