Program TV: Sambata, 13.12.2025 | Mezzo Live HD  | | |  | | | | | | | Acum la TV |
| Adauga in favorite pe pozitia: | | 1 | | 2 | | 3 |
 | 07:00 | | Max Emanuel Cencic, Les Talens Lyriques, Christophe Rousset: Keiser, Haendel, Scarlatti, Corelli
Max Emanuel Cencic (Countertenor)
Les Talens Lyriques, Christophe Rousset (Musical Director and Harpsichord)
Reinhard Keiser (1674-1739)
Diana: Ouverture
Claudius: Chaconne
Georg Friedrich Handel (1685-1759)
Tamerlano: Bell’Asteria | Benche mi sprezzi
Georg Friedrich Handel
Almira: Ouverture, Sarabande
Alessandro Scarlatti (1660-1725)
Sonata a quattro after Concerto grosso in sette parti no. 3
Georg Friedrich Handel
Giulio Cesare: Va tacito
Arcangelo Corelli (1653-1713)
Concerto grosso in D Majeur, op. 6, no. 1
Johann Mattheson (1681-1764)
Porsenna: Ouverture
Boris Goudenow: Menuet
Nicola Porpora (1686-1768)
Ifigenia in Aulide: Dall’Eolie | O se la sua beltà
Georg Philipp Telemann (1681-1767)
Miriways: Ouverture
Damon: Chacon
Nicola Porpora
Ifigenia in Aulide: O di spieta | A Numi | Tu spietato
Bayreuth, Margravial Opera House (Bayreuth Baroque Opera Festival), 14 September 2024 | |
| 08:19 | | Sandrine Piau, Les Talens Lyriques, Christophe Rousset: Montéclair, Corelli, Scarlatti, Haendel
Sandrine Piau (Soprano)
Les Talens Lyriques, Christophe Rousset (Musical Director, harpsichord)
Michel Pignolet de Montéclair (1667–1737)
‘La Morte di Lucretia’, Secular Cantata for Solo Voice, 2 Violins and Basso continuo
Arcangelo Corelli (1653–1713)
Concerto grosso in D Major, op. 6 no. 1
Domenico Scarlatti (1685–1757)
‘Tinte a note di sangue’, Secular Cantata for Solo Voice, 2 Violins and Basso continuo
Alessandro Scarlatti (1660–1725)
Sonata a quattro, after the Concerto grosso in F Major from 6 Concerti grossi in sette parti no. 3
George Frideric Handel (1685–1759)
‘Agrippina condotta a morire’, HWV 110, Secular Cantata for Solo Voice, 2 Violins and Basso continuo
Bayreuth, St George’s Church (Bayreuth Baroque Opera Festival), 8 September 2024 | |
| 18:00 | | Verdi: La Traviata - Opéra de Monte-Carlo
La Traviata
Opera in four acts by Giuseppe Verdi (1813-1901)
Libretto by Francesco Maria Piave after ‘La Dame aux Camélias’ (1852) by Alexandre Dumas fils, a piece taken from his homonymous novel
First performance in Venice, Teatro La Fenice, March 6, 1853
Monte-Carlo Philharmonic Orchestra, Chorus of the Monte-Carlo Opera
Massimo Zanetti (Musical Director)
Jean-Louis Grinda (Stage director)
Rudy Sabounghi (Sets), Jorge Jara (Costumes), Laurent Castaingt (Lighting), Eugénie Andrin (Choreography)
Aida Garifullina (Violetta Valery)
Loriana Castellano (Flora Bervoix)
Federica Sardella (Annina)
Javier Camarena (Alfredo Germont)
Massimo Cavalletti (Giorgio Germont)
Alejandro Del Angel (Gastone)
Roberto Accurso (Douphol)
Fabrice Alibert (D'Obigny)
Alessandro Spina (Grenvil)
Vincenzo di Nocera (Giuseppe)
Monte-Carlo, Opera, March 23, 2023 | |
| 20:14 | | Marina Viotti, Les Musiciens du Louvre, Marc Minkowski: Haendel | Acum la TV
Les Musiciens du Louvre, Marc Minkowski (conductor)
Marina Viotti (mezzo-soprano)
Georg Frideric Haendel 1685 – 1759
Concerto grosso op. 3 no. 2
‘O Jordan ! Jordan !’ (Esther)
‘All Danger disdaining’ (Deborah)
‘Defend her, Heaven’ (Theodora)
Concerto grosso op. 3 no. 4
‘Fair virtue’ (Alexander Balus)
‘Where shall I fly (Hercules)
Concerto grosso op. 3 no. 1
‘Crude furie’ (Serse)
‘Verdi prati’ (Alcina)
‘Dopo notte’ (Ariodante)
Concerto grosso op. 3 no. 5
‘Ombra cara’ (Radamisto)
Paris, Théâtre des Champs-Elysées, 28 June 2024 | |
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