Program TV: Joi, 04.12.2025 | Stingray iConcerts HD  | |  |  |  | |  |  |  |  | Acum la TV |
Adauga in favorite pe pozitia: |  | 1 |  | 2 |  | 3 |
  | 10:01 |  | Robbie Williams - Live at the Apple Music Festival
A brand new show that brings a veteran artist at his best! The talented artist, who became famous in the group "Take That", lacks presentations, but he himself begins his show by saying: "Let me resubmit ...". Robbie Williams has the ability to reinvent himself, exhibiting so much energy that he seems to be a rookie artist. Already in the 40s band of pop music, Robbie is more than an artist consecrated worldwide, is a reference with hits present in the best lists of consecrated DJs. This show at the Roundhouse coincided with the announcement of their 11th solo album, Heavy Entertainment Show, just released. The new album's title reflects Williams' performance as energy-dense as his 11-member big band, including his hits partner Guy Chambers on the piano. A formidable 90 minute pop odyssey. Mixing tracks from his Take That era, old or new, his songs allow him to reclaim his throne from an artist who dominates the stage - in fact, there is no one in pop music who combines his monumental energy with music Touching. A magical moment can be perceived in "A Better Man", only with the guitar on stage; Proof that he is an artist that goes beyond the scenery. | |
 | 19:15 |  | BLACKPINK - The Show | Acum la TV
The Show opened with "Kill This Love", following a video featuring sights of dark and empty cities around the world.[9] Apart from live performances it also included several pre-recorded tracks.[10] Each member performed their own solo stage; Jennie performed her song "Solo" with new rap lyrics written by her, and Rosé shared a preview of her solo debut "Gone", while Jisoo and Lisa performed covers of Tove Lo's "Habits (Stay High)" and Doja Cat's "Say So " respectively, both adding new self-written lyrics . | |
 | 21:40 |  | Fleetwood Mac - Rock Legends
The story of Fleetwood Mac is one of two halves. The first half began within the British blues scene of the late 1960s, where the band’s founder, Peter Green, honed his talent. Peter Green asked fellow Bluesbreakers John McVie and Mick Fleetwood to form a new band after they successfully collaborated in the studio on an instrumental with Jeremy Spencer and Bob Brunning completing the line-up. They took on the new name of Fleetwood Mac. The band had success in the UK with their first two albums and in 1968, with the addition of guitarist, Danny Kirwan, they finally achieved their first number one single, Albatross. However, Fleetwood Mac’s third album, They Play On, would be Peter Green’s last with the band, Without Peter Green, Danny Kirwan would take on the lead role within the group In 1970, Christine McVie, the wife of John McVie was yet another addition, after having provided backing vocals and album artwork for the new line-up.
Yet more changes came to the band’s line-up with Kirwan sadly having to leave due to problems with alcoholism, Songwriter Bob Welch replaced him, but then departed shortly after. Fleetwood Mac with the line-up of Mick Fleetwood, Stevie Nicks, Lindsey Buckingham and John and Christine McVie entered its second chapter. In 1975 they released what would ironically be their second self-titled album, which would top the US Billboard chart and featured the hit single Rhiannon, written by Stevie Nicks But as the album reached number one in the US and began shifting units of over five million, the band’s personal lives were becoming strained. In 1977 the band released Rumours.
The lyrics of the songs written by each member of the band exposed the personal turmoil that existed within the group Rumours has, to date, sold over 45 million copies worldwide, making it one of the biggest selling albums of all time. Influenced by new wave and punk, Buckingham convinced the band to go for a more experimental approach for the highly-anticipated follow-up album, Tusk. Featuring archive material, music videos “Dreams” “Landslide” and, exclusive insights from music critics and journalists Michael Bonner (Uncut Magazine), Hamish MacBain (Shortlist), John Aizlewood (Evening Standard) | |
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